Beth Orton
Every so often something comes along that pulls that little bit harder on the
heartstrings, gets that bit closer to emptying the tear ducts, makes that shiver
and tingle resonate with a
bigger
pulse through your soul. Beth Orton may seem like the most unassuming young lady
you could hope to meet, but give her 30 minutes with a six string and you're hers
forever...
Beth Orton was born in December 1970 and drifted through her teens in a musical
haze of Terry Callier, Neil Young, Nick Drake, Stone Roses, Rolling Stones, Carol
King and Rickie Lee Jones, her early 20s immersed in everything from Radiohead to
TLC Her first musical project was a one off single; a cover version of John Martyn's
"Don't Wanna Know About Evil" recorded with William Orbit under the name
of Spill. Her relationship with Mr Orbit continued with the Strange Cargo project
where Beth co-wrote "Water From A Vine Leaf", (from Strange Cargo 3).
She first came into the public eye guesting with Red Snapper on their first two singles,
"Snapper" and "In Deep". Through the William Orbit days and
onto Red Snapper the basis of the songs has always been just an acoustic guitar and
vocals, leaving their roots exposed even when upderpinned by burbling techno pulses
or sampled breakbeaks.
 |
In the Summer of 1995 a bandless Beth hooked up
with a group of friends who make up the backbone of Primal Scream (guitarist Andrew
Innes, keyboard man Martin Duffy and bass player "H"). They helped her
remodel and reshape "Live As You Dream" before Beth took time out to find
a band of her very own and to sprinkle pure warmth over the top of a warped slo-mo
backing track that two DJs were punting around, looking for the perfect voice to
do justice to a set of lyrics they'd written. "Alive:Alone", became the
last track on the hugely successful Chemical Brothers debut album, "Exit Planet
Dust". |
With a band that creates wild, textured music, Beth Orton has
tried to distance herself from the growing 'scene' of leftfield female singer-songwriters.
"Trailer Park" is Beth's debut album, a stand alone piece of rootsy beauty,
created alone and brought to life with the help of Victor Van Vught (production,
Tindersticks, Nick Cave & The Bad Seeds) & Andrew Weatherall ("Screamadelica")
(additional production), with a band consisting of Ali Friend (double bass), Wildcat
Will (drums), Ted Barnes (guitar) and Lee Spencer (keyboards).
Let's just establish something from the outset -
Beth Orton is a, wait for it, folk singer. Now you can forget your woolly cardigans,
silly beards, mugs of cider and people with funny accents because folk is now cool.
That's right, no more sneaking around in secret and hiding in corners flogging black
market Steely Dan tickets. Now you can shout it from the rafters that you're a "folky"
and you'll be the hippest thing since, well the last image impaired musical form
which tried to become trendy. What's more, you don't need to be a woodwork teacher
or a civil servant to like it, as Beth Orton proves. She's a bit of a babe you see
(sorry ladies) and represents the new face of folk as it were. You need only look
at her record label for proof of that as it's the trendy Heavenly which is better
known as home to the equally hip Northern Uproar, Monkey Mafia and Saint Etienne.
Whilst Orton has sung with the likes of The Chemical Brothers and doesn't exactly
hang around in flowery skirts drinking Horlicks, there is no doubt that she is a
folk artist. She has taken the more "listener friendly" elements of the
genre and mixed them with a bit of trip hop to create a sound and album which should
prove pleasantly surprising for many people. Orton herself has described Trailer
Park as an album on which she got to do everything she had wanted to do and just
"went for it". This comes across pretty strongly in tracks such as Tangent,
How Far and Live As You Dream, combinations of folk guitar and up-beat, catchy choruses
which will have you singing along in no time. So there you have it, contrary to
popular belief, folk is very much alive and seemingly kicking. Who knows, tank tops
may yet catch on.