From owner-harp-l@foo.garply.com Thu Feb 29 08:47:05 1996 Received: from foo.garply.com (foo.garply.com [165.113.188.2]) by kaiwan009.kaiwan.com (8.7.3/8.7.3) with ESMTP id IAA20444; Thu, 29 Feb 1996 08:47:02 -0800 (PST) *** KAIWAN Internet *** Received: (from majordom@localhost) by foo.garply.com (8.7.3/8.7.3) id JAA14780 for harp-l-outgoing; Thu, 29 Feb 1996 09:52:28 -0600 (CST) X-Authentication-Warning: foo.garply.com: majordom set sender to owner-harp-l using -f Received: from emout10.mail.aol.com (emout10.mx.aol.com [198.81.11.25]) by foo.garply.com (8.7.3/8.7.3) with SMTP id JAA11467 for ; Thu, 29 Feb 1996 09:52:24 -0600 (CST) From: JfGindick@aol.com Received: by emout10.mail.aol.com (8.6.12/8.6.12) id KAA22704; Thu, 29 Feb 1996 10:49:52 -0500 Date: Thu, 29 Feb 1996 10:49:52 -0500 Message-ID: <960229104951_336673840@emout10.mail.aol.com> To: midnight@macline.co.uk, gtidwell@IX.NETCOM.COM cc: Harp-L@garply.com Subject: Re: Question about Valved harps Sender: owner-harp-l@foo.garply.com Precedence: bulk Errors-To: harp-l-bounce@garply.com Status: RO About what Mike Curtis has accomplished with valved harps. I jammed with Ironman a couple of weeks ago and can report that his valved harp doesn't sound "cheezy" at all. His solo's are fully chromatic with nary a hint of position playing when he accompanies music in the key of E major on his C harp, or A minor. His tone is quite good. He valved a harp for me, however, and I have to admit there is a definite cheezy odor when I play it. I do think that if I decide to work with it and use chromatic scales, I can overcome this. Thing is...I'm not sure I want or need a full chromatic range for the way I think about and feel music. If I did,I would have stayed with my '64 chro and be good on it by now. I hear my music diatonically and am happy with those limitations. . As Wendell Barry writes: "It's the impeded brook that sings."Jon