GLADIATORS
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Bloodier than Stalingrad, bloodier
than Verdun. So unspeakably
bloody that it may have been no miracle at all when Pope Gregory-
XIV gave each of a group of ambassadors a handful of the arena's
earth; seeing their disappointment at a gift so paltry, he
squeezed one
handful, and it DRIPPED BLOOD!!!
Latin FALL 2001: Gladiators et al.
"THE COLOSSEUM: the bloodiest spot on
earth"
"GOETHE called the Colosseum
"a vision of beauty." Dickens wrote,
"It is the most solemn, grand, majestic,
mournful sight conceivable." Stendhal
told how Michelangelo, as an old man,
wandered through the ruins "to lift
his soul to the pitch required to feel
the beauties and defects of his own
design of St. Peter's dome."
Before you let these tributes clinch
your .resolve to follow their authors'
footprints to Rome, hark to a more
recent visitor: myself. I clambered
over the Colosseum for hours last
summer, matching facts against fan-
cies. What romantics rhapsodized
about a century ago to their diaries
is today an insult to visitors and a
threat to their safety. At night it is
"one of the favorite hangouts
for
prostitutes and perverts, and purse-
and camera-snatchers waylay unwary
tourists. The interior caverns
are often used as public latrines, and
rubbish frequently litters the ruins.
Even so, it is still one of the most
imposing structures in the world,
with a history to match though
for most of us that history is clouded
by misconceptions. Until last summer
the word "Colosseum" had
conjured for me a dusty, roaring
arena, where lions gnawed on meek
Christians, while Nero lounged on
rose leaves with death-dealing,
.down-turned thumb. Not so.
First, Nero never even heard of
it the cornerstone wasn't laid until
four vears after his death. Second,
A leaf from the famed Menologium of Basil II,
the elegantly illuminated service book of the
Eastern Church, shows the final agonies of Saint
Ignatius. The second-century Bishop ofAntioch
was the first Christian to be martyred on the sands
of the Flavian Amphitheater.
few scholars believe that any Chris-
tians were martyred there. Third,
neither emperors, gladiators, nor
Christians spoke of the "Colosseum";
to them it was the Amphithcatrum
Flavium. The name Colosseum was
not attached until the 8th century.
Marvel on a Marsh. The Amphi-
theatrum Flavium was so named
because it was built by the Emperor
Vespasian, amember of the Flavius
limily. His reasons for building the
largest amphitheater in the Roman
empire were as substantial as would
be the building: it could be built
cheaply by prisoners of war, it
would give Rome another recrea-
tion center, and it would return
some of the~ public acreage that
previous emperors had confiscated.
True, one almost insuperable ob-
stacle had to be faced: Nero had
made a lake at the site, only a,
few hundred yards from the Forum.
Vespasian's engineers managed to
drain it, but the ground was still
marshy, and how they persuaded it
to sustain so stupendous a weight is
a marvel of their profession.
Consider the Colosseum's meas-
urements : Its long axis is 620 feet,
its short axis 313 feet, and it is 160
feet highfour stories, not counting
the basements and subbasements.
And all this was solid masonry I The
shell and the principal corridors
were stonehuge blocks of traver-
tine clamped with iron. The interior
was part stone, part concrete, with
brick facings. The seats, 30,000 of 235
moners, a tier of io for
soldiers and, as slaughtered in those
ioo |
enjoy | Typical Games. Anyone with money enough could sponsor games, and
so many enjoyed the prestige |
and running over with the lustiest life," in Dickens' phrase. Suddenly, silence. Up go the gladiators' sword- arms, and out rings their bitter cry: "Hail, emperor! We who are about to die salute you!" They march off.. The emperor holds a scarf over the railing and lets it drop. A trumpet blares. The games begin. Preliminary events were often mimic, fought with wooden or pad- ded weapons. But the main bouts were in bloody earnest. As the pace quickened, the noise rose, until the orchestrahorns, flutes and a hy- draulic organ-was drowned out by the screaming spectators, the clash and clang of weapons. Cries of "Habetl"- "He's got it!" |
latin | greeted a wound or a fall. If the vanquished had strength enough, he lifted his left arm to beg clemency. Thumbs up and a flutter of hand- kerchiefs granted it, with "Mitte!" "Send him awav!" Thumbs down denied it, with ")ugula!" While one crew of slaves raked the bloody sand, and another threw grappling irons over the corpse and dragged it out through the Death Gate, the victor ran to receive a palm leaf, and silver dishes heaped with gold and jewels. The trumpet blared again. The next duel began. Waste no pity on these profession- als. Victors were rewarded, coddled and adulated far beyond the actors and star athletes of today. Their portraits... |
decorated Vases; poets hymned
them; noble ladies wooed them.
Moreover, their merry lives were not
necessarily short. The vanquished
were often spared. Many a gladiator
survived duel after duel and eventu-
ally took home the wooden sword
that symbolized honorable retirement.
Variety of Horrors. The first glad-
iators in Roman history were the
three pair whom the Brutus brothers
engaged in 264 B.C. as a sideline
entertainment for the funeral cere-
monies in honor of their father.
Titus Flaminius was soon engaging
37 pair to honor his father's death;
The embattled spear-wielder shown in this
detail from the renowned Bmghese mosaics
could well be the deranged Emperor Commodus,
whose passion for unequal combat drew him
to the arena more than a thousand times before
his assassination in A.D. 192.
Julius
Caesar engaged 300 pair, the
Emperor Trajan, 5000.
Most gladiators were recruited
from slaves, prisoners, condemned criminals,
though some were freedmen seeking to found
their fortunes, bankrupts trying to
recoup, or men of birth and wealth
who fought simply for the thrill. In
their man-to-man duels, the "pur-
suer"one of the basic types of
gladiator fought with torso bare.
He wore a crested helmet and car-
ried a large shield and short sword
(gladius, whence "gladiator"). His
opponent was usually a "netter,"
who wore no armor at all, but had a
cast-net for entangling his pursuer,
;Ind a trident and dagger for slaying
him. Other types included those who
fought from chariots, or with spears
attached to their wrists by long
straps, or vvith a sword in each
hand. Sometimes both opponents
wore eyeless helmets and slashed ...
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Latin FALL 2000: GLADIATORS et al.