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Tribe after tribe rode out of Northern China, through the steppes of Russia to dramatically influence European Civilization.
To collect what was left of Rome, came the Huns. A federation of tribes under the great Attila, they prospered more on the fear which they inspired then on military exploits. Using that fear, Attila led a campaign of national extortion against both Eastern and Western Rome.
To the East of the Khazars, in the Himalayan mountains, stood the kingdom of the Turkuts. This horseman kingdom became the other immovable barrier. It became the wall which stopped the noble Caliph's armies from bringing the saber of Islam to China and India.
At other times, often as adherents to Islam, these, or other horsemen tribes fostered the flowering of Arts and Poetry and enforced peace and civility in troubled times.
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An overview of the effect of the Horsemen of the Eastern Steepes on world armour
A Gallery of Armour
First of these were the Tiurks. They did not fight, acting as middlemen in the trade between Rome and China, they fed off Rome's lust for luxury and drained her economy. The business practices of the Tiurks, even more than the violence of the Teutonic barbarians, became the downfall of the mighty empire.
The route which the Tiurks laid from East to West became known as the "Silk Road." For generations after, this "Road" would take successive waves of horsemen west, in search of greener pastures.
The federation split soon after Attila's death but the tribes which had formed it, by themselves and in new federations, continued to ride through history. Some, like the Uigurs, left their names as demons haunting the fairy tales of Europe.
But their influence on history was not just one of terror. When the word of Islam began to spread through the world at the point of a sword, it was two of these horsemen tribes that stopped it.
In Persia - Rostam and Sohrab,
In Ireland - Cuchulain and his Son,
In Russia - Ilya Murometz and his Son or Daughter.
Here, the younger warrior wears a Turban helmet with maile curtain,
a shirt of scales
with scale pauldrons over
a maile Hauberk, and
shallow, maile connected Bazubands,
The older one wears
a Proto-Turban (or "Egg") helmet with lamellar curtain,
a Brigandine vest with
lamellar pauldrons over
a maile hauberk,
scale cuises with knee-coups, and
deep, hinged Bazubands.
The kingdom of the Khazars spread forth from the river which they called Itil (the same river which gave Attila his name) near the Caspian sea, into the mountains of the Caucas. A strange kingdom for the middle ages, a succession of Shamanists, Christians, Moslems, and Jews ruled here, on the outer eastern edge of Europe, under the aegis of religious freedom. It was these nomads, only recently settled and still living outside their cities for half the year, who stopped the unstoppable armies of the Caliph of Baghdad from pressing on into Europe.
So they came, tribe after tribe leaving their hoof prints on each page of history. Their names were legion but, standing out among them were the Mongols. Western Europeans called these horsemen "Tartars" (from the Greek for Hell) because to them, the Mongols seemed like demons out of Hell itself.
The last of these tribes to write it's name on history were the Ottoman Turk. Arising in the fifteenth century, this empire quickly grew in power, matching or surpassing the might of the British until the twentieth century. But it took the wrong side in the War of Empires. In the aftermath of World War I, this last empire of the wild horsemen fell.
The influence of the horsemen is reflected in the armour of the East. From China to Russia the forms of armour are a continuum. Discussion of the arms of one nation naturally leads to that of another. Additionally, in those countries, like Poland and Japan, which were on the outer edge of the influence of the horsemen, this influence is also clearly evident. This catalogue, therefore, in an attempt to present a complete picture of the armour of "The Horsemen", addresses all of these national forms in some way.
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Articles and Illustrations by Norman J. Finkelshteyn.
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Copyright Norman J. Finkelshteyn 1997 -- All articles and illustrations at this web site are Copyright protected material. Use of these articles and illustrations is subject to appropriate restrictions under United States, International, and local Law.