Edna St. Vincent Millay (1892-1950)

A Visit To The Asylum | Afternoon On A Hill | Alms | An Ancient Gesture | Apostrophe To Man | Ashes Of Life | Assault | Autumn Daybreak | Blight | Burial | City Trees | Conscientious Objector | Daphne | Departure | Dirge | Doubt No More That Oberon | Ebb | Eel-Grass | Elaine | Elegy Before Death | Exiled | Feast | First Fig | God's World | Grown Up | If Still Your Orchards Bear | Indifference | Inland | Intention To Escape From Him | Interim | Invocation To The Muses | Journey | Kin To Sorrow | Lament | Lines Written in Recapitulation | Low-Tide | Make Bright The Arrows | Mariposa | Memorial To D.C. | Menses | Midnight Oil | Passer Mortuus Est | Pastoral | The Poet And His Book | Portrait By A Neighbor | Renascence | Rosemary | Second Fig | Song Of A Second April | (Sonnets From Fatal Interview) Sonnet VII | (Sonnets From Fatal Interview) Sonnet XVI | (Sonnets From Fatal Interview) Sonnet XXVI | (Sonnets From Fatal Interview) Sonnet XXVIII | (Sonnets From Fatal Interview) Sonnet XXX | (Sonnets From Mine The Harvest) I Will Put Chaos Into Fourteen Lines | (Sonnets From Renascence And Other Poems) Sonnet I | (Sonnet From Renascence And Other Poems) Sonnet II | (Sonnets From The Renascence And Other Poems) Sonnet III | (Sonnets From The Renascence And Other Poems) Sonnet IV | (Sonnet From The Renascence And Other Poems) Sonnet V | (Sonnets From The Renascence And Other Poems) Sonnet VI | (Sonnet From Second April) Sonnet I | (Sonnets From Second April) Sonnet II | (Sonnets From Second April) Sonnet III | (Sonnet From Second April) Sonnet IV | (Sonnet From Second April) Sonnet V | (Sonnet From Second April) Sonnet VI | (Sonnets From Second April) Sonnet VII | (Sonnets From Second April) Sonnet VIII | (Sonnet From Second April) Sonnet IX | (Sonnet From Second April) Sonnet X | (Sonnet From Second April) Sonnet XI | (Sonnet From Second April) Sonnet XII | (Sonnets From The Harp-Weaver And Other Poems) I Know I Am But Summer | (Sonnets From The Harp-Weaver And Other Poems) I Shall Go Back | (Sonnets From The Harp-Weaver and Other Poems) Oh, Oh, You Will Be Sorry For That Word! | (Sonnets From The Harp-Weaver and Other Poems) Oh, Think Not | (Sonnets From The Harp-Weaver and Other Poems) Pity Me Not | (Sonnets From The Harp-Weaver and Other Poems) Sometimes When I Am Wearied Suddenly | (Sonnets From The Harp-Weaver and Other Poems) What Lips My Lips Have Kissed... | Sonnet XLI | Sorrow | Spring | Tavern | The Ballad Of Harp-Weaver | The Bean-Stalk | The Betrothal | The Blue Flag In The Bog | The Concert | The Death Of Autumn | The Dream | The Fawn | The Fledgling | The Leaf And The Tree | The Little Ghost | The Little Hill | The Penitent | The Philosopher | The Shroud | The Singing-Woman From The Wood's Edge | The Snow Storm | The Suicide | The True Encounter | The Unexplorer | The Wood Road | Theme And Variation I | Three Songs Of Shattering | To A Poet That Died Young | To Elinor Wylie | To Elinor Wylie | To The Not Impossible Him | Travel | Underground System | Untitled | Untitled | Weeds | When The Year Grows Old | Wild Swans | Witch-Wife | Wraith


A Visit to the Asylum

Once from a big, big building,
When I was small, small,
The queer folk in the windows
Would smile at me and call.

And in the hard wee gardens
Such pleasant men would hoe:
"Sir, may we touch the little girl's hair!" --
It was so red, you know.

They cut me coloured asters
With shears so sharp and neat,
They brought me grapes and plums and pears
And pretty cakes to eat.

And out of all the windows,
No matter where we went,
The merriest eyes would follow me
And make me compliment.

There were a thousand windows,
All latticed up and down.
And up to all the windows,
When we went back to town,

The queer folk put their faces,
As gentle as could be;
"Come again, little girl!" they called, and I
Called back, "You come see me!"

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Afternoon on a Hill

I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one.
I will look at cliffs and clouds
With quiet eyes,
Watch the wind bow down the grass,
And the grass rise.
And when lights begin to show
Up from the town,
I will mark which must be mine,
And then start down!

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Alms

My heart is what it was before,
A house where people come and go;
But it is winter with your love,
The sashes are beset with snow.

I light the lamp and lay the cloth,
I blow the coals to blaze again;
But it is winter with your love,
The frost is thick upon the pane..

I know a winter when it comes:
The leaves are listless on the boughs;
I watched your love a little while,
And brought my plants into the house.

I water them and turn them south,
I snap the dead brown from the stem;
But it is winter with your love,
I only tend and water them.

There was a time I stood and watched
The small, ill-natured sparrows' fray;
I loved the beggar that I fed,
I cared for what he had to say,

I stood and watched him out of sight:
Today I reach around the door
And set a bowl upon the step;
My heart is what it was before,

But it is winter with your love;
I scatter crumbs upon the sill,
And close the window, --and the birds
May take or leave them, as they will.

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An Ancient Gesture

I thought, as I wiped my eyes on the corner of my apron:
Penelope did this too.
And more than once: you can't keep weaving all day
And undoing it all through the night;
Your arms get tired, and the back of your neck gets tight; And along towards morning, when you think it will never be light,
And your husband has been gone, and you don't know where, for years.
Suddenly you burst into tears;
There is simply nothing else to do.

And I thought, as I wiped my eyes on the corner of my apron:
This is an ancient gesture, authentic, antique,
In the very best tradition, classic, Greek;
Ulysses did this too.
But only as a gesture,--a gesture which implied
To the assembled throng that he was much too moved to speak.
He learned it from Penelope...
Penelope, who really cried.

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Apostrophe to Man

(On reflecting that the world is ready to go to war again)

Detestable race, continue to expunge yourself, die out.
Breed faster, crowd, encroach, sing hymns, build bombing airplanes;
Make speeches, unveil statues, issue bonds, parade;
Convert again into explosives the bewildered ammonia
and the distracted cellulose;
Convert again into putrescent matter drawing flies
The hopeful bodies of the young; exhort,
Pray, pull long faces, be earnest,
be all but overcome, be photographed;
Confer, perfect your formulae, commercialize
Bacateria harmful to human tissue,
Put death on the market;
Breed, crowd, encroach,
expand, expunge yourself, die out,
Homo called sapiens.

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Ashes of Life

Love has gone and left me and the days are all alike;
Eat I must, and sleep I will, -- and would that night were here!
But ah! -- To lie awake and hear the slow hours strike!
Would that it were day again! -- with twilight near!
Love has gone and left me and I don't know what to do;
This or that or what you will is all the same to me;
But all the things that I begin I leave before I'm through,--
There's little use in anything as far as I can see.
Love has gone and left me, --and the neighbors knock and borrow,
And life goes on forever like the gnawing of a mouse,--
And to-morrow and to-morrow and to-morrow and to-morrow
There's this little street and this little house.

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Assault

I

I had forgotten how the frogs must sound
After a year of silence, else I think
I should not so have ventured forth alone
At dusk upon this unfrequented road.

II

I am waylaid by Beauty. Who will walk
Between me and the crying of the frogs?
Oh, savage Beauty, suffer me to pass,
That am a timid woman, on her way
From one house to another!

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Autumn Daybreak

Cold wind of autumn, blowing loud
At dawn, a fortnight overdue,
Jostling the doors, and tearing through
My bedroom to rejoin the cloud,
I know -- for I can hear the hiss
And scrape of leaves along the floor --
How may boughs, lashed bare by this,
Will rake the cluttered sky once more.
Tardy, and somewhat south of east,
The sun will rise at length, made known
More by the meagre light increased
Than by a disk in splendour shown;
When, having but to turn my head,
Through the stripped maple I shall see,
Bleak and remembered, patched with red,
The hill all summer hid from me.

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Blight

Hard seeds of hate I planted
That should by now be grown,--
Rough stalk, and from thick stamens
A poisonous pollen blown,
And odours rank, unbreathable,
From dark corollas thrown!

At dawn from my damp garden
I shook the chilly dew;
The thin boughs locked behind me
That sprang to let me through;
The blossoms slept,--I sought a place
Where nothing lovely grew.

And there, when day was breaking,
I knelt and looked around:
The light was near, the silence
Was palpitant with sound;
I drew my hate from out my breast
And thrust it in the ground.

Oh, ye so fiercely tended,
Ye little seeds of hate!
I bent above your growing
Early and noon and late,
Yet are ye drooped and pitiful,--
I cannot rear ye straight!

The sun seeks out my garden
No nook is left in shade,
No mist nor mold nor mildew
Endures on any blade,
Sweet rain slants under every bough:
Ye falter, and ye fade.

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Burial

Mine is a body that should die at sea!
And have for a grave, instead of a grave
Six feet deep and the length of me,
All the water that is under the wave!
And terrible fishes to seize my flesh,
Such as a living man might fear,
And eat me while I am firm and fresh,--
Not wait till I've been dead for a year!

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City Trees

The trees along this city street,
Save for the traffic and the trains,
Would make a sound as thin and sweet
As trees in country lanes.

And people standing in their shade
Out of a shower, undoubtedly
Would hear such music as is made
Upon a country tree.

Oh, little leaves that are so dumb
Against the shrieking city air,
I watch you when the wind has come,
I know what sound is there.

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Conscientious Objector

I shall die, but
that is all that I shall do for Death.
I hear him leading his horse out of the stall;
I hear the clatter on the barn-floor.
He is in haste; he has business in Cuba,
business in the Balkans, many calls to make this morning.
But I will not hold the bridle
while he clinches the girth.
And he may mount by himself:
I will not give him a leg up.

Though he flick my shoulders with his whip,
I will not tell him which way the fox ran.
With his hoof on my breast, I will not tell him where
the black boy hides in the swamp.
I shall die, but that is all that I shall do for Death;
I am not on his pay-roll.

I will not tell him the whereabout of my friends
nor of my enemies either.
Though he promise me much,
I will not map him the route to any man's door.
Am I a spy in the land of the living,
that I should deliver men to Death?
Brother, the password and the plans of our city
are safe with me; never through me Shall you be overcome.

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Daphne

Why do you follow me?--
Any moment I can be
Nothing but a laurel-tree.

Any moment of the chase
I can leave you in my place
A pink bough for your embrace.

Yet if over hill and hollow
Still it is your will to follow,
I am off; -- to heel, Apollo!

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Departure

It's little I care what path I take,
And where it leads it's little I care;
But out of this house, lest my heart break,
I must go, and off somewhere.

It's little I know what's in my heart,
What's in my mind it's little I know,
But there's that in me must up and start,
And it's little I care where my feet go.

I wish I could walk for a day and a night,
And find me at dawn in a desolate place
With never the rut of a road in sight,
Nor the roof of a house, nor the eyes of a face.

I wish I could walk till my blood should spout,
And drop me, never to stir again,
On a shore that is wide, for the tide is out,
And the weedy rocks are bare to the rain.

But dump or dock, where the path I take
Brings up, it's little enough I care;
And it's little I'd mind the fuss they'll make,
Huddled dead in a ditch somewhere.

"Is something the matter, dear," she said,
"That you sit at your work so silently?"
"No, mother, no, 'twas a knot in my thread.
There goes the kettle, I'll make the tea."

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Dirge

Boys and girls that held her dear,
Do your weeping now;
All you loved of her lies here.

Brought to earth the arrogant brow,
And the withering tongue
Chastened; do your weeping now.

Sing whatever songs are sung,
Wind whatever wreath,
For a playmate perished young,

For a spirit spent in death.
Boys and girls that held her dear,
All you loved of her lies here.

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Doubt No More That Oberon

Doubt no more that Oberon--
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,--
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise--
Healthy tree, with trunk and root--
Ivory bowls that bear no fruit,
And the starlings and the jays--
Birds that cannot even sing--
Dare to come again in spring!

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Ebb

I know what my heart is like
Since your love died:
It is like a hollow ledge
Holding a little pool
Left there by the tide,
A little tepid pool,
Drying inward from the edge.

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Eel-Grass

No matter what I say,
All that I really love
Is the rain that flattens on the bay,
And the eel-grass in the cove;
The jingle-shells that lie and bleach
At the tide-line, and the trace
Of higher tides along the beach:
Nothing in this place.

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Elaine

Oh, come again to Astolat!
I will not ask you to be kind.
And you may go when you will go,
And I will stay behind.

I will not say how dear you are,
Or ask you if you hold me dear,
Or trouble you with things for you
The way I did last year.

So still the orchard, Lancelot,
So very still the lake shall be,
You could not guessthough you should guess
What is become of me.

So wide shall be the garden-walk,
The garden-seat so very wide,
You needs must thinkif you should think
The lily maid had died.

Save that, a little way away,
I'd watch you for a little while,
To see you speak, the way you speak,
And smile,if you should smile.

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Elegy Before Death

There will be rose and rhododendron
When you are dead and under ground;
Still will be heard from white syringas
Heavy with bees, a sunny sound;

Still will the tamaracks be raining
After the rain has ceased, and still
Will there be robins in the stubble,
Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
Nothing will know that you are gone,
Saving alone some sullen plough-land
None but yourself sets foot upon;

Saving the may-weed and the pig-weed
Nothing will know that you are dead,
These, and perhaps a useless wagon
Standing beside some tumbled shed.

Oh, there will pass with your great passing
Little of beauty not your own,
Only the light from common water,
Only the grace from simple stone!

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Exiled

Searching my heart for its true sorrow,
This is the thing I find it to be:
That I am weary of words and people,
Sick of the city, wanting the sea;

Wanting the sticky, salty sweetness
Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
Of the big surf that breaks all day.

Always before about my dooryard,
Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
Straggled the purple wild sweet-pea;

Always I climbed the wave at morning,
Shook the sand from my shoes at night,
That now am caught beneath great buildings,
Stricken with noise, confused with light.

If I could hear the green piles groaning
Under the windy wooden piers,
See once again the bobbing barrels,
And the black sticks that fence the weirs,

If I could see the weedy mussels
Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
Overhead, of the wheeling gulls,

Feel once again the shanty straining
Under the turning of the tide,
Fear once again the rising freshet,
Dread the bell in the fog outside,

I should be happy! -- that was happy
All day long on the coast of Maine;
I have a need to hold and handle
Shells and anchors and ships again!

I should be happy... that am happy
Never at all since I came here.
I am too long away from water.
I have a need of water near.

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Feast

I drank at every vine.
The last was like the first.
I came upon no wine
So wonderful as thirst.

I gnawed at every root.
I ate of every plant.
I came upon no fruit
So wonderful as want.

Feed the grape and bean
To the vintner and monger;
I will lie down lean
With my thirst and my hunger.

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First Fig

My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends --
It gives a lovely light!

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God's World

O world, I cannot hold thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!

Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart,--Lord, I do fear
Thou'st made the world too beautiful this year;
My soul is all but out of me,--let fall
No burning leaf; prithee, let no bird call.

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Grown Up

Was it for this I uttered prayers,
And sobbed and cursed and kicked the stairs,
That now, domestic as a plate,
I should retire at half-past eight?

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If Still Your Orchards Bear

Brother, that breathe the August air
Ten thousand years from now,
And smell--if still your orchards bear
Tart apples on the bough--

The early windfall under the tree,
And see the red fruit shine,
I cannot think your thoughts will be
Much different from mine.

Should at that moment the full moon
Step forth upon the hill,
And memories hard to bear at noon,
By moonlight harder still,
Form in the shadow of the trees, --
Things that you could not spare
And live, or so you thought, yet these
All gone, and you still there,

A man no longer what he was,
Nor yet the thing he'd planned,
The chilly apple from the grass
Warmed by your living hand--

I think you will have need of tears;
I think they will not flow;
Supposing in ten thousand years
Men ache, as they do now.

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Indifference

I said, -- for Love was laggard, O, Love was slow to come, --
"I'll hear his step and know his step when I am warm in bed;
But I'll never leave my pillow, though there be some
As would let him in -- and take him in with tears!" I said.
I lay, -- for Love was laggard, O, he came not until dawn, --
I lay and listened for his step and could not get to sleep;
And he found me at my window with my big cloak on,
All sorry with the tears some folks might weep!

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Inland

People that build their houses inland,
People that buy a plot of ground
Shaped like a house, and build a house there,
Far from the sea-board, far from the sound

Of water sucking the hollow ledges,
Tons of water striking the shore, --
What do they long for, as I long for
One salt smell of the sea once more?

People the waves have not awakened,
Spanking the boats at the harbour's head,
What do they long for, as I long for, --
Starting up in my inland bed,

Beating the narrow walls, and finding
Neither a window nor a door,
Screaming to God for death by drowning, --
One salt taste of the sea once more?

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Intention to Escape from Him

I think I will learn some beautiful language, useless for commercial
Purposes, work hard at that.
I think I will learn the Latin name of every songbird, not only in
America but wherever they sing.
(Shun meditation, though; invite the controversial:
Is the world flat? Do bats eat cats?) By digging hard I might
deflect that river, my mind, that uncontrollable thing,
Turgid and yellow, srong to overflow its banks in spring,
carrying away bridges
A bed of pebbles now, through which there trickles one clear
narrow stream, following a course henceforth nefast -

Dig, dig; and if I come to ledges, blast.

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Interim

The room is full of you!--As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!--

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,--
The very essence, hush-distilled, of Death--
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"

You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.--So short a time
To teach my life its transposition to
This difficult and unaccustomed key!--
The room is as you left it; your last touch--
A thoughtless pressure, knowing not itself
As saintly--hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.

There is your book, just as you laid it down,
Face to the table,--I cannot believe
That you are gone!--Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.

Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...

And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's." You were so small,
And wrote so brave a hand!
How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again. If you had known--
But then, it does not matter,--and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day."
To-day! Was there an opening bud beside it
You left until to-morrow?--O my love,
The things that withered,--and you came not back
That day you filled this circle of my arms
That now is empty. (O my empty life!)
That day--that day you picked the first sweet-pea,--
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew. (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.) What is the need of Heaven
When earth can be so sweet?--If only God
Had let us love,--and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,--I am not sure. I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first. I did not know
Then, that it was the last. If I had known--
But then, it does not matter. Strange how few,
After all's said and done, the things that are
Of moment.
Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more."
There, there it dangles,--where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!

"I had you and I have you now no more."

O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?--Would God
That tearing you apart would tear the thread
I strung you on! Would God--O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!

We were so wholly one I had not thought
That we could die apart. I had not thought
That I could move,--and you be stiff and still!
That I could speak,--and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre. And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you. I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,--a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?

Dark, Dark, is all I find for metaphor;
All else were contrast,--save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms. What now--what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
Plant things above your grave--(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.

I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:--not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!

--What do I say?
God! God!--God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive. If all at once
Faith were to slacken,--that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,--birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!

O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant--looking over--and the next
To shudder and lurch forward out of sight--

* * * * * * *

Ah, I am worn out--I am wearied out--
It is too much--I am but flesh and blood,
And I must sleep. Though you were dead again,
I am but flesh and blood and I must sleep.

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Invocation to the Muses

Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters--be with me.

If I address thee in archaic style--
Words obsolete, words obsolescent,
It is that for a little while
The heart must, oh indeed must from this angry and out-rageous present
Itself withdraw
Into some past in which most crooked Evil,
Although quite certainly conceived and born, was not as yet the Law.

Archaic, or obsolescent at the least,
Be thy grave speaking and the careful words of thy clear song,
For the time wrongs us, and the words most common to our speech today
Salute and welcome to the feast
Conspicuous Evil-- or against him all day long
Cry out, telling of ugly deeds and most uncommon wrong.

Be thou tonight with all beneath these rafters--be with me
But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not played nor sung,
Though the great voice be there, no sound from the dry throat across the thickened tongue
Comes forth; nor has he heart for it.
Beauty in all things--no, we cannot hope for that; but some place set apart for it.
Here it may dwell;
And with your aid, Melpomene
And all thy sister-muses (for ye are, I think, daughters of Memory)
Within the tortured mind as well.

Reaped are those fields with dragon's-teeth so lately sown;
Many the heaped men dying there - so close, hip touches thigh; yet each man dies alone.
Music, what overtone
For the soft ultimate sigh or the unheeded groan
Hast thou--to make death decent, where men slip
Down blood to death, no service of grieved heart or ritual lip
Transferring what was recently a man and still is warm--
Transferring his obedient limbs into the shallow grave where not again a friend shall greet him,
Nor hatred do him harm . . .
Nor true love run to meet him?

In the last hours of him who lies untended
On a cold field at night, and sees the hard bright stars
Above his upturned face, and says aloud "How strange . . . my life is ended."--
If in the past he loved great music much, and knew it well,
Let not his lapsing mind be teased by well-beloved but ill- remembered bars --
Let the full symphony across the blood-soaked field
By him be heard, most pure in every part,
The lonely horror of whose painful death is thus repealed,
Who dies with quiet tears upon his upturned face, making to glow with softness the hard stars.

And bring to those who knew great poetry well
Page after page that they have loved but have not learned by heart!
We who in comfort to well-lighted shelves
Can turn for all the poets ever wrote,
Beseech you: Bear to those
Who love high art no less than we ourselves,
Those who lie wounded, those who in prison cast
Strive to recall, to ease them, some great ode, and every stanza save the last.

Recall--oh, in the dark, restore them
The unremembered lines; make bright the page before them!
Page after page present to these,
In prison concentrated, watched by barbs of bayonet and wire,
Give ye to them their hearts' intense desire--
The words of Shelley, Virgil, Sophocles.

And thou, O lovely and not sad,
Euterpe, be thou in this hall tonight!
Bid us remember all we ever had
Of sweet and gay delight--
We who are free,
But cannot quite be glad,
Thinking of huge, abrupt disaster brought
Upon so many of our kind
Who treasure as do we the vivid look on the unfrightened face,
The careless happy stride from place to place,
And the unbounded regions of untrammelled thought
Open as interstellar space
To the exploring and excited mind.

O Muses, O immortal Nine!--
Or do ye languish? Can ye die?
Must all go under?--
How shall we heal without your help a world
By these wild horses torn asunder?
How shall we build anew? -- How start again?
How cure, how even moderate this pain
Without you, and you strong?
And if ye sleep, then waken!
And if ye sicken and do plan to die,
Do not that now!

Hear us, in what sharp need we cry!
For we have help nowhere
If not in you!
Pity can much, and so a mighty mind, but cannot all things do!--
By you forsaken,
We shall be scattered, we shall be overtaken!
Oh, come! Renew in us the ancient wonder,
The grace of life, its courage, and its joy!
Weave us those garlands nothing can destroy!
Come! with your radiant eyes! -- with your throats of thunder!

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Journey

Ah, could I lay me down in this long grass
And close my eyes, and let the quiet wind
Blow over me,I am so tired, so tired
Of passing pleasant places! All my life,
Following Care along the dusty road,
Have I looked back at loveliness and sighed;
Yet at my hand an unrelenting hand
Tugged ever, and I passed. All my life long
Over my shoulder have I looked at peace;
And now I fain would lie in this long grass
And close my eyes.

Yet onward !
Cat-birds call

Through the long afternoon, and creeks at dusk
Are guttural. Whip-poor-wills wake and cry,
Drawing the twilight close about their throats.
Only my heart makes answer. Eager vines
Go up the rocks and wait; flushed apple-trees
Pause in their dance and break the ring for me;
Dim, shady wood-roads, redolent of fern
And bayberry, that through sweet bevies thread
Of round-faced roses, pink and petulant,
Look back and beckon ere they disappear.
Only my heart, only my heart responds.
Yet, ah, my path is sweet on either side
All through the dragging day,sharp underfoot,
And hot, and like dead mist the dry dust hangs
But far, oh, far as passionate eye can reach,
And long, ah, long as rapturous eye can cling,

The world is mine: blue hill, still silver lake,
Broad field, bright flower, and the long white road
A gateless garden, and an open path:
My feet to follow, and my heart to hold.

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Kin to Sorrow

Am I kin to Sorrow,
That so oft
Fall the knocker of my door --
Neither loud nor soft,
But as long accustomed,
Under Sorrow's hand?
Marigolds around the step
And rosemary stand,
And then comes Sorrow--
And what does Sorrow care
For the rosemary
Or the marigolds there?
Am I kin to sorrow?
Are we kin?
That so oft upon my door--
Oh, come in!

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Lament

Listen, children:
Your father is dead.
From his old coats
I'll make you little jackets;
I'll make you little trousers
From his old pants.
There'll be in his pockets
Things he used to put there,
Keys and pennies
Covered with tobacco;
Dan shall have the pennies
To save in his bank;
Anne shall have the keys
To make a pretty noise with.
Life must go on,
And the dead be forgotten;
Life must go on,
Though good men die;
Anne, eat your breakfast;
Dan, take your medicine;
Life must go on;
I forget just why.

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Lines Written in Recapitulation

I could not bring this splendid world nor any trading beast
In charge of it, to defer, no, not to give ear, not in the least
Appearance, to my handsome prophecies,
which here I ponder and put by.

I am left simpler, less encumbered, by the consciousness
that I shall by no pebble in my dirty sling
avail To slay one purple giant four feet high and distribute arms
among his tall attendants, who spit at his name
when spitting on the ground:
They will be found one day Prone where they fell, or dead sitting
--- and pock-marked wall
Supporting the beautiful back straight as an oak
before it is old.

I have learned to fail. And I have had my say.
Yet shall I sing until my voice crack
(this being my leisure, this my holiday)
That man was a special thing, and no commodity,
a thing improper to be sold.

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Low-Tide

These wet rocks where the tide has been,
Barnacled white and weeded brown
And slimed beneath to a beautiful green,
These wet rocks where the tide went down
Will show again when the tide is high
Faint and perilous, far from shore,
No place to dream, but a place to die,--
The bottom of the sea once more.
There was a child that wandered through
A giant's empty house all day,--
House full of wonderful things and new,
But no fit place for a child to play.

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Make Bright the Arrows

Make bright the arrows
Gather the shields:
Conquest narrows
The peaceful fields.

Stock well the quiver
With arrows bright:
The bowman feared
Need never fight.

Make bright the arrows,
O peaceful and wise!
Gather the shields
Against surprise.

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Mariposa

Butterflies are white and blue
In this field we wander through.
Suffer me to take your hand.
Death comes in a day or two.

All the things we ever knew
Will be ashes in that hour,
Mark the transient butterfly,
How he hangs upon the flower.

Suffer me to take your hand.
Suffer me to cherish you
Till the dawn is in the sky.
Whether I be false or true,
Death comes in a day or two.

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Memorial to D.C.

O, loveliest throat of all sweet throats,
Where now no more the music is,
With hands that wrote you little notes
I write you little elegies!

I
Epitaph

Heap not on this mound
Roses that she loved so well:
Why bewilder her with roses,
That she cannot see or smell?

She is happy where she lies
With the dust upon her eyes.

II

Prayer to Persephone

Be to her, Persephone,
All the things I might not be:
Take her head upon your knee.
She that was so proud and wild,
Flippant, arrogant and free,
She that had no need of me,
Is a little lonely child
Lost in Hell,--Persephone,
Take her head upon your knee:
Say to her, "My dear, my dear,
It is not so dreadful here."

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Menses

(He speaks, but to himself, being aware how it is with her)

Think not I have not heard.
Well-fanged the double word
And well-directed flew.

I felt it. Down my side
Innocent as oil I see the ugly venom slide:
Poison enough to stiffen us both, and all our friends;
But I am not pierced, so there the mischief ends.

There is more to be said: I see it coiling;
The impact will be pain.
Yet coil; yet strike again.
You cannot riddle the stout mail I wove
Long since, of wit and love.

As for my answer . . . stupid in the sun
He lies, his fangs drawn:
I will not war with you.

You know how wild you are. You are willing to be turned
To other matters; you would be grateful, even.
You watch me shyly. I (for I have learned
More things than one in our few years together)
Chafe at the churlish wind, the unseasonable weather.

"Unseasonable?" you cry, with harsher scorn
Than the theme warrants; "Every year it is the same!
'Unseasonable!' they whine, these stupid peasants! - - and never
since they were born
Have they known a spring less wintry! Lord, the shame,
The crying shame of seeing a man no wiser than the beasts he
feeds--
His skull as empty as a shell!"

("Go to. You are unwell.")

Such is my thought, but such are not my words.

"What is the name," I ask, "of those big birds
With yellow breast and low and heavy flight,
That make such mournful whistling?"

"Meadowlarks,"
You answer primly, not a little cheered.
"Some people shoot them." Suddenly your eyes are wet
And your chin trembles. On my breast you lean,
And sob most pitifullly for all the lovely things that are not and
have been.

"How silly I am! -- and I know how silly I am!"
You say; "You are very patient. You are very kind.
I shall be better soon. Just Heaven consign and damn
To tedious Hell this body with its muddy feet in my mind!"

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Midnight Oil

Cut if you will, with Sleep's dull knife,
Each day to half its length, my friend,--
The years that Time take off my life,
He'll take from off the other end!

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Passer Mortuus Est

Death devours all lovely things;
Lesbia with her sparrow
Shares the darkness,presently
Every bed is narrow

Unremembered as old rain
Dries the sheer libation,
And the little petulant hand
Is an annotation.

After all, my erstwhile dear,
My no longer cherished,
Need we say it was not love,
Now that love is perished?

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Pastoral

If it were only still!--
With far away the shrill
Crying of a cock;
Or the shaken bell
From a cow's throat
Moving through the bushes;
Or the soft shock
Of wizened apples falling
From an old tree
In a forgotten orchard
Upon the hilly rock!

Oh, grey hill,
Where the grazing herd
Licks the purple blossom,
Crops the spiky weed!
Oh, stony pasture,
Where the tall mullein
Stands up so sturdy
On its little seed!

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The Poet and His Book

Down, you mongrel, Death!
Back into your kennel!
I have stolen breath
In a stalk of fennel!
You shall scratch and you shall whine
Many a night, and you shall worry
Many a bone, before you bury
One sweet bone of mine!

When shall I be dead?
When my flesh is withered,
And above my head
Yellow pollen gathered
All the empty afternoon?
When sweet lovers pause and wonder
Whom am I that lie thereunder,
Hidden from the moon?

This my personal death? --
That my lungs be failing
To inhale the breath
Others are exhaling?
This my subtle spirit's end? --
Ah, when the thawed winter splashes
Over these chance dust and ashes,
Weep not me, my friend!

Me, by no means dead
In that hour, but surely
When this book, unread,
Rots to earth obscurely,
And no more to any breast,
Close against the clamorous swelling
Of the thing there is no telling,
Are these pages pressed!

When this book is mould,
And a book of many
Waiting to be sold
For a casual penny,
In a little open case,
In a street unclean and cluttered,
Where a heavy mud is spattered
From the passing drays,

Stranger, pause and look;
From the dust of ages
Lift this little book,
Turn the tattered pages,
Read me, do not let me die!
Search the fading letters, finding
Steadfast in the broken binding
All that once was I!

When these veins are weeds,
When these hollowed sockets
Watch the rooty seeds
Bursting down like rockets,
And surmise the spring again,
Or, remote in that black cupboard,
Watch the pink worms writhing upward
At the smell of rain,

Boys and girls that lie
Whispering in the hedges,
Do not let me die,
Mix me with your pledges;
Boys and girls that slowly walk
In the woods, and weep, and quarrel,
Staring past the pink wild laurel,
Mix me with your talk,

Do not let me die!
Farmers at your raking,
When the sun is high,
While the hay is making,
When, along the stubble strewn,
Withering on their stalks uneaten,
Strawberries turn dark and sweeten
In the lapse of noon;

Shepherds on the hills,
In the pastures, drowsing
To the tinkling bells
Of the brown sheep browsing;
Sailors cying through the storm;
Scholars at your study; hunters
Lost amid the whirling winter's
Whiteness uniform;

Men that long to sleep;
Men that wake and revel; --
If an old song leap
To your senses' level
At such moments, may it be
Sometimes, though a moment only,
Some forgotten, quaint and homely
Vehicle of me?

Women at your toil,
Women at your leisure,
Till the kettle boil,
Snatch of me your pleasure,
Where the broom-straw marks the leaf;
Women quiet with your weeping
Lest you wake a workman sleeping,
Mix me with your grief.

Boys and girls that steal
From the shocking laughter
Of the old, to kneel
By a dripping rafter
Under the discoloured eaves,
Out of trunks with hingeless covers
Lifting tales of saints and lovers,
Travellers, goblins, theives,

Suns that shine by night,
Mountains made from valleys, --
Bear me to the light,
Flat upon your bellies
By the webby window lie,
Where the little flies are crawling,
Read me, margin me with scrawling,
Do no let me die!

Sexton, ply your trade!
In a shower of gravel
Stamp upon your spade!
Many a rose shall ravel,
Many a metal wreath shall rust
In the rain, and I go singing
Through the lots where you are flinging
Yellow clay on dust!

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Portrait By a Neighbor

Before she has her floor swept
Or her dishes done,
Any day you'll find her
A-sunning in the sun!

It's long after midnight
Her key's in the lock,
And you never see her chimney smoke
Til past ten o'clock!

She digs in her garden
With a shovel and a spoon,
She weeds her lazy lettuce
By the light of the moon,

She walks up the walk
Like a woman in a dream,
She forgets she borrowed butter
Any pays you back in cream!

Her lawn looks like a meadow,
And if she mows the place
She leaves the clover standing
And the Queen Anne's lace!

Up To Top

Renascence

All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And--sure enough!--I see the top!
The sky, I thought, is not so grand;
I 'most could touch it with my hand
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and--lo!--Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick'ning, I would fain pluck thence
But could not,--nay! But needs must suck
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.--Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious thrust,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire,--
Craved all in vain! And felt fierce fire
About a thousand people crawl;
Perished with each,--then mourned for all
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight! Infinity
Pressed down upon the finite Me
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,--there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who's six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again! Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each clouds gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and--crash!
Before the wild wind's whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain's cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,--
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell,--
I know not how such things can be!--
I breathed my soul back into me.
Ah! Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e'er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,--
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat--the sky
Will cave in on him by and by.

Up To Top

Rosemary

For the sake of some things
That be now no more
I will strew rushes
On my chamber-floor,
I will plant bergamot
At my kitchen-door.

For the sake of dim things
That were once so plain
I will set a barrel
Out to catch the rain,
I will hang an iron pot
On an iron crane.

Many things be dead and gone
That were brave and gay;
For the sake of these things
I will learn to say,
"An it please you, gentle sirs,"
"Alack!" and "Well-a-day!"

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Second Fig

Safe upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!

Up To Top

Song of a Second April

April this year, not otherwise
Than April of a year ago,
Is full of whispers, full of sighs,
Of dazzling mud and dingy snow;
Hepaticas that pleased you so
Are here again, and butterflies.

There rings a hammering all day,
And shingles lie about the doors;
In orchards near and far away
The grey wood-pecker taps and bores;
The men are merry at their chores,
And children earnest at their play.

The larger streams run still and deep,
Noisy and swift the small brooks run
Among the mullein stalks the sheep
Go up the hillside in the sun,
Pensively,--only you are gone,
You that alone I cared to keep.

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(Sonnets from Fatal Interview) Sonnet VII

Night is my sister, and how deep in love,
How drowned in love and weedily washed ashore,
There to be fretted by the drag and shove
At the tide's edge, I lie-these things and more:
Whose arm alone between me and the sand,
Whose voice alone, whose pitiful breath brought near,
Could thaw these nostrils and unlock this hand,
She could advise you, should you care to hear.
Small chance, however, in a storm so black,
A man will leave his friendly fire and snug
For a drowned woman's sake, and bring her back
To drip and scatter shells upon the rug.
No one but Night, with tears on her dark face,
Watches beside me in this windy place.

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(Sonnets from Fatal Interview) Sonnet XVI

I dreamed I moved among the Elysian fields,
In converse with sweet women long since dead;
And out of blossoms which that meadow yields
I wove a garland for your living head.
Danai, that was the vessel for a day
Of golden Jove, I saw, and at her side,
Whom Jove the Bull desired and bore away,
Europa stood, and the Swan's featherless bride.
All these were mortal women, yet all these
Above the ground had had a god for guest;
Freely I walked beside them and at ease,
Addressing them, by them again addressed,
And marvelled nothing, for remembering you,
Wherefore I was among them well I knew.

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(Sonnets from Fatal Interview) Sonnet XXVI

Women have loved before as I love now;
At least, in lively chronicles of the past -
Of Irish waters by a Cornish prow
Or Trojan waters by a Spartan mast
Much to their cost invaded - here and there,
Hunting the amorous line, skimming the rest,
I find some woman bearing as I bear
Love like a burning city in the breast.
I think however that of all alive
I only in such utter, ancient way
Do suffer love; in me alone survive
The unregenerate passions of a day
When treacherous queens, with death upon the tread,
Heedless and willful, took their knights to bed.

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(Sonnets from Fatal Interview) Sonnet XXVIII

When we are old and these rejoicing veins
Are frosty channels to a muted stream,
And out of all our burning their remains
No feeblest spark to fire us, even in dream,
This be our solace: that it was not said
When we were young and warm and in our prime,
Upon our couch we lay as lie the dead,
Sleeping away the unreturning time.
O sweet, O heavy-lidded, O my love,
When morning strikes her spear upon the land,
And we must rise and arm us and reprove
The insolent daylight with a steady hand,
Be not discountenanced if the knowing know
We rose from rapture but an hour ago.

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(Sonnets from Fatal Interview) Sonnet XXX

Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.

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(Sonnets from Mine The Harvest) I Will Put Chaos Into Fourteen Lines

I will put Chaos into fourteen lines
And keep him there; and let him thence escape
If he be lucky; let him twist, and ape
Flood, fire, and demon --- his adroit designs
Will strain to nothing in the strict confines
Of this sweet order, where, in pious rape,
I hold his essence and amorphous shape,
Till he with Order mingles and combines.
Past are the hours, the years of our duress,
His arrogance, our awful servitude:
I have him. He is nothing more nor less
Than something simple not yet understood;
I shall not even force him to confess;
Or answer. I will only make him good.

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(Sonnets from Renascence and Other Poems) Sonnet I

Thou art not lovelier than lilacs,--no,
Nor honeysuckle; thou art not more fair
Than small white single poppies,--I can bear
Thy beauty; though I bend before thee, though
From left to right, not knowing where to go,
I turn my troubled eyes, nor here nor there
Find any refuge from thee, yet I swear
So has it been with mist,--with moonlight so.

Like him who day by day unto his draught
Of delicate poison adds him one drop more
Till he may drink unharmed the death of ten,
Even so, inured to beauty, who have quaffed
Each hour more deeply than the hour before,
I drink--and live--what has destroyed some men.

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(Sonnets from Renascence and Other Poems) Sonnet II

Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year's leaves are smoke in every lane;
But last year's bitter loving must remain
Heaped on my heart, and my old thoughts abide!
There are a hundred places where I fear
To go, so with his memory they brim!
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, "There is no memory of him here!"
And so stand stricken, so remembering him!

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(Sonnets from Renascence and Other Poems) Sonnet III

Mindful of you the sodden earth in spring,
And all the flowers that in the springtime grow,
And dusty roads, and thistles, and the slow
Rising of the round moon, all throats that sing
The summer through, and each departing wing,
And all the nests that the bared branches show,
And all winds that in any weather blow,
And all the storms that the four seasons bring.

You go no more on your exultant feet
Up paths that only mist and morning knew,
Or watch the wind, or listen to the beat
Of a bird's wings too high in air to view,--
But you were something more than young and sweet
And fair,--and the long year remembers you.

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(Sonnets from Renascence and Other Poems) Sonnet IV

Not in this chamber only at my birth--
When the long hours of that mysterious night
Were over, and the morning was in sight--
I cried, but in strange places, steppe and firth
I have not seen, through alien grief and mirth;
And never shall one room contain me quite
Who in so many rooms first saw the light,
Child of all mothers, native of the earth.

So is no warmth for me at any fire
To-day, when the world's fire has burned so low;
I kneel, spending my breath in vain desire,
At that cold hearth which one time roared so strong,
And straighten back in weariness, and long
To gather up my little gods and go.

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(Sonnets from Renascence and Other Poems) Sonnet V

If I should learn, in some quite casual way,
That you were gone, not to return again--
Read from the back-page of a paper, say,
Held by a neighbor in a subway train,
How at the corner of this avenue
And such a street (so are the papers filled)
A hurrying man--who happened to be you--
At noon to-day had happened to be killed,
I should not cry aloud--I could not cry
Aloud, or wring my hands in such a place--
I should but watch the station lights rush by
With a more careful interest on my face,
Or raise my eyes and read with greater care
Where to store furs and how to treat the hair.

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(Sonnets from Renascence and Other Poems) Sonnet VI

Bluebeard

This door you might not open, and you did;
So enter now, and see for what slight thing
You are betrayed.... Here is no treasure hid
No cauldron, no clear crystal mirroring
The sought-for truth, no heads of women slain
For greed like yours, no writhings of distress
But only what you see.... Look yet again--
An empty room, cobwebbed and comfortless
Yet this alone out of my life I kept
Unto myself, lest any know me quite;
And you did so profane me when you crept
Unto the threshold of this room to-night
That I must never more behold your face.
This now is yours. I seek another place.

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(Sonnet from Second April) Sonnet I

We talk of taxes, and I call you friend;
Well, such you are,but well enough we know
How thick about us root, how rankly grow
Those subtle weeds no man has need to tend,
That flourish through neglect, and soon must send
Perfume too sweet upon us and overthrow
Our steady senses; how such matters go
We are aware, and how such matters end.
Yet shall be told no meagre passion here;
With lovers such as we forevermore
Isolde drinks the draught, and Guinevere
Receives the Table's ruin through her door,
Francesca, with the loud surf at her ear,
Lets fall the colored book upon the floor.

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(Sonnet from Second April) Sonnet II

Into the golden vessel of great song
Let us pour all our passion; breast to breast
Let other lovers lie, in love and rest;
Not we,articulate, so, but with the tongue
Of all the world: the churning blood, the long
Shuddering quiet, the desperate hot palms pressed
Sharply together upon the escaping guest,
The common soul, unguarded, and grown strong.
Longing alone is singer to the lute;
Let still on nettles in the open sigh
The minstrel, that in slumber is as mute
As any man, and love be far and high,
That else forsakes the topmost branch, a fruit
Found on the ground by every passer-by.

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(Sonnet from Second April) Sonnet III

Not with libations, but with shouts and laughter
We drenched the altars of Love's sacred grove,
Shaking to earth green fruits, impatient after
The launching of the colored moths of Love.
Love's proper myrtle and his mother's zone
We bound about our irreligious brows,
And fettered him with garlands of our own,
And spread a banquet in his frugal house.
Not yet the god has spoken; but I fear
Though we should break our bodies in his flame,
And pour our blood upon his altar, here
Henceforward is a grove without a name,
A pasture to the shaggy goats of Pan,
Whence flee forever a woman and a man.

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(Sonnet from Second April) Sonnet IV

Only until this cigarette is ended,
A little moment at the end of all,
While on the floor the quiet ashes fall,
And in the firelight to a lance extended,
Bizarrely with the jazzing music blended,
The broken shadow dances on the wall,
I will permit my memory to recall
The vision of you, by all my dreams attended.
And then adieu,farewell!the dream is done.
Yours is a face of which I can forget
The color and the features, every one,
The words not ever, and the smiles not yet;
But in your day this moment is the sun
Upon a hill, after the sun has set.

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(Sonnet from Second April) Sonnet V

Once more into my arid days like dew,
Like wind from an oasis, or the sound
Of cold sweet water bubbling underground,
A treacherous messenger, the thought of you
Comes to destroy me; once more I renew
Firm faith in your abundance, whom I found
Long since to be but just one other mound
Of sand, whereon no green thing ever grew.
And once again, and wiser in no wise,
I chase your colored phantom on the air,
And sob and curse and fall and weep and rise
And stumble pitifully on to where,
Miserable and lost, with stinging eyes,
Once more I clasp,and there is nothing there.

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(Sonnet from Second April) Sonnet VI

No rose that in a garden ever grew,
In Homer's or in Omar's or in mine,
Though buried under centuries of fine
Dead dust of roses, shut from sun and dew
Forever, and forever lost from view,
But must again in fragrance rich as wine
The grey aisles of the air incarnadine
When the old summers surge into a new.
Thus when I swear, "I love with all my heart,"
'Tis with the heart of Lilith that I swear,
'Tis with the love of Lesbia and Lucrece;
And thus as well my love must lose some part
Of what it is, had Helen been less fair,
Or perished young, or stayed at home in Greece.

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(Sonnet from Second April) Sonnet VII

When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause; and feel, and hark,
Till I become accustomed to the dark.

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(Sonnet from Second April) Sonnet VIII

And you as well must die, belovèd dust,
And all your beauty stand you in no stead;
This flawless, vital hand, this perfect head,
This body of flame and steel, before the gust
Of Death, or under his autumnal frost,
Shall be as any leaf, be no less dead
Than the first leaf that fell,this wonder fled,
Altered, estranged, disintegrated, lost.
Nor shall my love avail you in your hour.
In spite of all my love, you will arise
Upon that day and wander down the air
Obscurely as the unattended flower,
It mattering not how beautiful you were,
Or how belovèd above all else that dies.

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(Sonnet from Second April) Sonnet IX

Let you not say of me when I am old,
In pretty worship of my withered hands
Forgetting who I am, and how the sands
Of such a life as mine run red and gold
Even to the ultimate sifting dust, "Behold,
Here walketh passionless age!"for there expands
A curious superstition in these lands,
And by its leave some weightless tales are told.

In me no lenten wicks watch out the night;
I am the booth where Folly holds her fair;
Impious no less in ruin than in strength,
When I lie crumbled to the earth at length,
Let you not say, "Upon this reverend site
The righteous groaned and beat their breasts in prayer."

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(Sonnet from Second April) Sonnet X

Oh, my beloved, have you thought of this:
How in the years to come unscrupulous Time,
More cruel than Death, will tear you from my kiss,
And make you old, and leave me in my prime?
How you and I, who scale together yet
A little while the sweet, immortal height
No pilgrim may remember or forget,
As sure as the world turns, some granite night
Shall lie awake and know the gracious flame
Gone out forever on the mutual stone;
And call to mind how on the day you came
I was a child, and you a hero grown?
And the night pass, and the strange morning break
Upon our anguish for each other's sake!

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(Sonnet from Second April) Sonnet XI

As to some lovely temple, tenantless
Long since, that once was sweet with shivering brass,
Knowing well its altars ruined and the grass
Grown up between the stones, yet from excess
Of grief hard driven, or great loneliness,
The worshiper returns, and those who pass
Marvel him crying on a name that was,
So is it now with me in my distress.
Your body was a temple to Delight;
Cold are its ashes whence the breath is fled,
Yet here one time your spirit was wont to move;
Here might I hope to find you day or night,
And here I come to look for you, my love,
Even now, foolishly, knowing you are dead.

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(Sonnet from Second April) Sonnet XII

Cherish you then the hope I shall forget
At length, my lord, Pieria?put away
For your so passing sake, this mouth of clay,
These mortal bones against my body set,
For all the puny fever and frail sweat
Of human love,renounce for these, I say,
The Singing Mountain's memory, and betray
The silent lyre that hangs upon me yet?
Ah, but indeed, some day shall you awake,
Rather, from dreams of me, that at your side
So many nights, a lover and a bride,
But stern in my soul's chastity, have lain,
To walk the world forever for my sake,
And in each chamber find me gone again!

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(Sonnets From The Harp-Weaver and Other Poems) I Know I Am But Summer

I know I am but summer to your heart,
And not the full four seasons of the year;
And you must welcome from another part
Such noble moods as are not mine, my dear.
No gracious weight of golden fruits to sell
Have I, nor any wise and wintry thing;
And I have loved you all too long and well
To carry still the high sweet breast of Spring.
Wherefore I say: O love, as summer goes,
I must be gone, steal forth with silent drums,
That you may hail anew the bird and rose
When I come back to you, as summer comes.
Else will you seek, at some not distant time,
Even your summer in another clime.

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(Sonnets From The Harp-Weaver and Other Poems) I Shall Go Back

I shall go back again to the bleak shore
And build a little shanty on the sand
In such a way that the extremest band
Of brittle seaweed shall escape my door
But by a yard or two; and nevermore
Shall I return to take you by the hand.
I shall be gone to what I understand,
And happier than I ever was before.
The love that stood a moment in your eyes,
The words that lay a moment on your tongue,
Are one with all that in a moment dies,
A little under-said and over-sung.
But I shall find the sullen rocks and skies
Unchanged from what they were when I was young.

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(Sonnets From The Harp-Weaver and Other Poems) Oh, Oh, You Will Be Sorry For That Word!

Oh, oh, you will be sorry for that word!
Give me back my book and take my kiss instead.
Was it my enemy or my friend I heard,
``What a big book for such a little head!"
Come, I will show you now my newest hat,
And you may watch me purse my mouth and prink!
Oh, I shall love you still, and all of that.
I never again shall tell you what I think.
I shall be sweet and crafty, soft and sly;
You will not catch me reading any more:
I shall be called a wife to pattern by;
And some day when you knock and push the door,
Some sane day, not too bright and not too stormy,
I shall be gone, and you may whistle for me.

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(Sonnets From The Harp-Weaver and Other Poems) Oh, Think Not

Oh, think not I am faithful to a vow!
Faithless am I am save to love's self alone.
Were you not lovely I would leave you now;
After the feet of beauty fly my own.
Were you not still my hunger's rarest food,
And water ever to my wildest thirst,
I would desert you--think not but I would!--
And seek another as I sought you first.
But you are mobile as the veering air,
And all your charms more changeful than the tide,
Wherefore to be inconstant is no care:
I have but to continue at your side.
So wanton, light and false, my love, are you,
I am most faithless when I most am true.

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(Sonnets From The Harp-Weaver and Other Poems) Pity Me Not

Pity me not because the light of day
At close of day no longer walks the sky;
Pity me not for beauties passed away
From field and thicket as the year goes by.
Pity me not the waning of the moon,
Or that the ebbing tide goes out to sea,
Or that a man's desire is hushed so soon,
And you no longer look with love on me.
This have I always known: Love is no more
Than the wide blossom which the wind assails,
Than the great tide that treads the shifting shore,
Strewing fresh wreckage gathered in the gales.
Pity me that the heart is slow to learn
What the swift mind beholds at every turn.

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(Sonnets From The Harp-Weaver and Other Poems) Sometimes When I Am Wearied Suddenly

Sometimes when I am wearied suddenly,
Of all the things that are the outward you,
And my gaze wanders ere your tale is through
To webs of my own weaving, or I see
Abstractedly your hands about your knee
And wonder why I love you as I do,
Then I recall, " Yet Sorrow thus he drew ";
Then I consider, " Pride thus painted he. "
Oh, friend, forget not, when you fain would note
In me a beauty that was never mine,
How first you knew me in a book I wrote,
How first you loved me for a written line:
So are we bound till broken is the throat
Of Song, and Art no more leads out the Nine.

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(Sonnets From The Harp-Weaver and Other Poems) What Lips My Lips Have Kissed...

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.

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Sonnet XLI

I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your proppinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breasts:
So subtly the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor reason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.

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Sorrow

Sorrow like a ceaseless rain
Beats upon my heart.
People twist and scream in pain, --
Dawn will find them still again;
Time has neither wax nor wane,
Niether stop nor start.
People dress and go to town;
I sit in my chair.
All my thoughts are slow and brown:
Standing up or sitting down
Little matters, or what gown,
Or what shoes I wear.

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Spring

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

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Tavern

I'll keep a little tavern
Below the high hill's crest,
Wherein all grey-eyed people
May set them down and rest.

There shall be plates a-plenty,
And mugs to melt the chill
Of all the grey-eyed people
Who happen up the hill.

There sound will sleep the traveller,
And dream his journey's end,
But I will rouse at midnight
The falling fire to tend.

Aye, 'tis a curious fancy --
But all the good I know
Was taught me out of two grey eyes
A long time ago.

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The Ballad of the Harp-Weaver

"Son," said my mother,
When I was knee-high,
"you've need of clothes to cover you,
and not a rag have I.

"There's nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.

"There's nothing in the house
But a loaf-end of rye,
And a harp with a woman's head
Nobody will buy,"
And she began to cry.

That was in the early fall.
When came the late fall,
"Son," she said, "the sight of you
Makes your mother's blood crawl, --

"Little skinny shoulder-blades
Sticking through your clothes!
And where you'll get a jacket from
God above knows.

"It's lucky for me, lad,
Your daddy's in the ground,
And can't see the way I let
His son go around!"
And she made a queer sound.

That was in the late fall.
When the winter came,
I'd not a pair of breeches
Nor a shirt to my name.

I couldn't go to school,
Or out of doors to play.
And all the other little boys
Passed our way.

"Son," said my mother,
"Come, climb into my lap,
And I'll chafe your little bones
While you take a nap."

And, oh, but we were silly
For half and hour or more,
Me with my long legs,
Dragging on the floor,

A-rock-rock-rocking
To a mother-goose rhyme!
Oh, but we were happy
For half an hour's time!

But there was I, a great boy,
And what would folks say
To hear my mother singing me
To sleep all day,
In such a daft way?

Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.

A wind with a wolf's head
Howled about our door,
And we burned up the chairs
And sat upon the floor.

All that was left us
Was a chair we couldn't break,
And the harp with a woman's head
Nobody would take,
For song or pity's sake.

The night before Christmas
I cried with cold,
I cried myself to sleep
Like a two-year old.

And in the deep night
I felt my mother rise,
And stare down upon me
With love in her eyes.

I saw my mother sitting
On the one good chair,
A light falling on her
From I couldn't tell where.

Looking nineteen,
And not a day older,
And the harp with a woman's head
Leaned against her shoulder.

Her thin fingers, moving
In the thin, tall strings,
Were weav-weav-weaving
Wonderful things.

Many bright threads,
From where I couldn't see,
Were running through the harp-strings
Rapidly,

And gold threads whistling
Through my mother's hand.
I saw the web grow,
And the pattern expand.

She wove a child's jacket,
And when it was done
She laid it on the floor
And wove another one.

She wove a red cloak
So regal to see,
"She's made it for a king's son,"
I said, "and not for me."
But I knew it was for me.

She wove a pair of breeches
Quicker than that!
She wove a pair of boots
And a little cocked hat.

She wove a pair of mittens,
Shw wove a little blouse,
She wove all night
In the still, cold house.

She sang as she worked,
And the harp-strings spoke;
Her voice never faltered,
And the thread never broke,
And when I awoke, --

There sat my mother
With the harp against her shoulder,
Looking nineteeen,
And not a day older,

A smile about her lips,
And a light about her head,
And her hands in the harp-strings
Frozen dead.

And piled beside her
And toppling to the skies,
Were the clothes of a king's son,
Just my size.

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The Bean-Stalk

Ho, Giant! This is I!
I have built me a bean-stalk into your sky!
La,--but it's lovely, up so high!

This is how I came,--I put
Here my knee, there my foot,
Up and up, from shoot to shoot--
And the blessed bean-stalk thinning
Like the mischief all the time,
Till it took me rocking, spinning,
In a dizzy, sunny circle,
Making angles with the root,
Far and out above the cackle
Of the city I was born in,
Till the little dirty city
In the light so sheer and sunny
Shone as dazzling bright and pretty
As the money that you find
In a dream of finding money--
What a wind! What a morning!--

Till the tiny, shiny city,
When I shot a glance below,
Shaken with a giddy laughter,
Sick and blissfully afraid,
Was a dew-drop on a blade,
And a pair of moments after
Was the whirling guess I made,--
And the wind was like a whip

Cracking past my icy ears,
And my hair stood out behind,
And my eyes were full of tears,
Wide-open and cold,
More tears than they could hold,
The wind was blowing so,
And my teeth were in a row,
Dry and grinning,
And I felt my foot slip,
And I scratched the wind and whined,
And I clutched the stalk and jabbered,
With my eyes shut blind,--
What a wind! What a wind!

Your broad sky, Giant,
Is the shelf of a cupboard;
I make bean-stalks, I'm
A builder, like yourself,
But bean-stalks is my trade,
I couldn't make a shelf,
Don't know how they're made,
Now, a bean-stalk is more pliant--
La, what a climb!

Up To Top

The Betrothal

Oh, come, my lad, or go, my lad,
And love me if you like.
I shall not hear the door shut
Nor the knocker strike.

Oh, bring me gifts or beg me gifts,
And wed me if you will.
I'd make a man a good wife,
Sensible and still.

And why should I be cold, my lad,
And why should you repine,
Because I love a dark head
That never will be mine?

I might as well be easing you
As lie alone in bed
And waste the night in wanting
A cruel dark head.

You might as well be calling yours
What never will be his,
And one of us be happy.
There's few enough as is.

Up To Top

The Blue Flag in the Bog

GOD had called us, and we came;
Our loved Earth to ashes left;
Heaven was a neighbor's house,
Open flung to us, bereft.

Gay the lights of Heaven showed,
And 'twas God who walked ahead;
Yet I wept along the road,
Wanting my own house instead.

Wept unseen, unheeded cried,
"All you things my eyes have kissed,
Fare you well! We meet no more,
Lovely, lovely tattered mist!

Weary wings that rise and fall
All day long above the fire !"
Red with heat was every wall,
Rough with heat was every wire

"Fare you well, you little winds
That the flying embers chase!
Fare you well, you shuddering day,
With your hands before your face!

And, ah, blackened by strange blight,
Or to a false sun unfurled,
Now forevermore goodbye,
All the gardens in the world!

On the windless hills of Heaven,
That I have no wish to see,

White, eternal lilies stand,
By a lake of ebony.

But the Earth forevermore
Is a place where nothing grows,
Dawn will come, and no bud break;
Evening, and no blossom close.

Spring will come, and wander slow
Over an indifferent land,
Stand beside an empty creek,
Hold a dead seed in her hand."

God had called us, and we came,
But the blessed road I trod
Was a bitter road to me,
And at heart I questioned God.

"Though in Heaven," I said, "be all
That the heart would most desire,
Held Earth naught save souls of sinners
Worth the saving from a fire?

Withered grass,the wasted growing!
Aimless ache of laden boughs!"
Little things God had forgotten
Called me, from my burning house.

"Though in Heaven," I said, "be all
That the eye could ask to see,
All the things I ever knew
Are this blaze in back of me."

"Though in Heaven," I said, "be all
That the ear could think to lack,

All the things I ever knew
Are this roaring at my back."

It was God who walked ahead,
Like a shepherd to the fold;
In his footsteps fared the weak,
And the weary and the old,

Glad enough of gladness over,
Ready for the peace to be,
But a thing God had forgotten
Was the growing bones of me.

And I drew a bit apart,
And I lagged a bit behind,
And I thought on Peace Eternal,
Lest He look into my mind;

And I gazed upon the sky,
And I thought of Heavenly Rest,
And I slipped away like water
Through the fingers of the blest !

All their eyes were fixed on Glory,
Not a glance brushed over me;
"Alleluia ! Alleluia !"
Up the road,and I was free.

And my heart rose like a freshet,
And it swept me on before,
Giddy as a whirling stick,
Till I felt the earth once more.

All the Earth was charred and black,
Fire had swept from pole to pole;

And the bottom of the sea
Was as brittle as a bowl;

And the timbered mountain-top
Was as naked as a skull,
Nothing left, nothing left,
Of the Earth so beautiful!

"Earth," I said, "how can I leave you?"
"You are all I have," I said;
"What is left to take my mind up,
Living always, and you dead?"

"Speak!" I said, "Oh, tell me something!
Make a sign that I can see!
For a keepsake! To keep always!
Quick!before God misses me!"

And I listened for a voice;
But my heart was all I heard;
Not a screech-owl, not a loon,
Not a tree-toad said a word.

And I waited for a sign;
Coals and cinders, nothing more;
And a little cloud of smoke
Floating on a valley floor.

And I peered into the smoke
Till it rotted, like a fog:
There, encompassed round by fire,
Stood a blue-flag in a bog!

Little flames came wading out,
Straining, straining towards its stem,

But it was so blue and tall
That it scorned to think of them!

Red and thirsty were their tongues,
As the tongues of wolves must be,
But it was so blue and tall
Oh, I laughed, I cried, to see!

All my heart became a tear,
All my soul became a tower,
Never loved I anything
As I loved that tall blue flower!

It was all the little boats
That had ever sailed the sea,
It was all the little books
That had gone to school with me;

On its roots like iron claws
Rearing up so blue and tall,
It was all the gallant Earth
With its back against a wall!

In a breath, ere I had breathed,
Oh, I laughed, I cried, to see !
I was kneeling at its side,
And it leaned its head on me !

Crumbling stones and sliding sand
Is the road to Heaven now;
Icy at my straining knees
Drags the awful under-tow;

Soon but stepping-stones of dust
Will the road to Heaven be,

Father, Son and Holy Ghost,
Reach a hand and rescue me!

"Therethere, my blue-flag flower;
Hushhushgo to sleep;
That is only God you hear,
Counting up His folded sheep!

Lullabyelullabye
That is only God that calls,
Missing me, seeking me,
Ere the road to nothing falls!

He will set His mighty feet
Firmly on the sliding sand;
Like a little frightened bird
I will creep into His hand;

I will tell Him all my grief,
I will tell Him all my sin;
He will give me half His robe
For a cloak to wrap you in.

Lullabyelullabye"
Rocks the burnt-out planet free!
Father, Son and Holy Ghost,
Reach a hand and rescue me !

Ah, the voice of love at last !
Lo, at last the face of light !
And the whole of His white robe
For a cloak against the night!

And upon my heart asleep
All the things I ever knew!

"Holds Heaven not some cranny, Lord,
For a flower so tall and blue?"

All's well and all's well!
Gay the lights of Heaven show!
In some moist and Heavenly place
We will set it out to grow.

Up To Top

The Concert

No, I will go alone.
I will come back when it's over.
Yes, of course I love you.
No, it will not be long.
Why may you not come with me?--
You are too much my lover.
You would put yourself
Between me and song.

If I go alone,
Quiet and suavely clothed,
My body will die in its chair,
And over my head a flame,
A mind that is twice my own,
Will mark with icy mirth
The wise advance and retreat
Of armies without a country,
Storming a nameless gate,
Hurling terrible javelins down
From the shouting walls of a singing town

Where no women wait!
Armies clean of love and hate,
Marching lines of pitiless sound
Climbing hills to the sun and hurling
Golden spears to the ground!
Up the lines a silver runner
Bearing a banner whereon is scored
The milk and steel of a bloodless wound
Healed at length by the sword!

You and I have nothing to do with music.
We may not make of music a filigree frame,
Within which you and I,
Tenderly glad we came,
Sit smiling, hand in hand.

Come now, be content.
I will come back to you, I swear I will;
And you will know me still.
I shall be only a little taller
Than when I went.

Up To Top

The Death of Autumn

When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,--
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again,--but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn!--What is the Spring to me?

Up To Top

The Dream

Love, if I weep it will not matter,
And if you laugh I shall not care;
Foolish am I to think about it,
But it is good to feel you there.

Love, in my sleep I dreamed of waking, --
White and awful the moonlight reached
Over the floor, and somewhere, somewhere,
There was a shutter loose, --it screeched!

Swung in the wind,--and no wind blowing!--
I was afraid, and turned to you,
Put out my hand to you for comfort,--
And you were gone! Cold, cold as dew,

Under my hand the moonlight lay!
Love, if you laugh I shall not care,
But if I weep it will not matter,--
Ah, it is good to feel you there!

Up To Top

The Fawn

There it was I saw what I shall never forget
And never retrieve.
Monstrous and beautiful to human eyes, hard to
believe,
He lay, yet there he lay,
Asleep on the moss, his head on his polished cleft
small ebony hoves,
The child of the doe, the dappled child of the deer.

Surely his mother had never said, "Lie here
Till I return," so spotty and plain to see
On the green moss lay he.
His eyes had opened; he considered me.

I would have given more than I care to say
To thrifty ears, might I have had him for my friend
One moment only of that forest day:

Might I have had the acceptance, not the love
Of those clear eyes;
Might I have been for him in the bough above
Or the root beneath his forest bed,
A part of the forest, seen without surprise.

Was it alarm, or was it the wind of my fear lest he
depart
That jerked him to his jointy knees,
And sent him crashing off, leaping and stumbling
On his new legs, between the stems of the white
trees?

Up To Top

The Fledgling

So, art thou feahered, art thou flown,
Thou naked thing? --and canst alone
Upon the unsolid summer air
Sustain thyself, and prosper there?
Shall no more with anxious note
Advise thee through the happy day,
Thrusting the worm into thy throat,
Bearing thine excrement away?
Alas, I think I see thee yet,
Perched on the windy parapet,
Defer thy flight a moment still
To clean thy wing with careful bill.
And thou are feathered, thou art flown;
And hast a project of thine own.

Up To Top

The Leaf and the Tree

When will you learn, myself, to be
a dying leaf on a living tree?
Budding, swelling, growing strong,
Wearing green, but not for long,
Drawing sustenance from air,
That other leaves, and you not there,
May bud, and at the autumn's call
Wearing russet, ready to fall?
Has not this trunk a deed to do
Unguessed by small and tremulous you?
Shall not these branches in the end
To wisdom and the truth ascend?
And the great lightning plunging by
Look sidewise with a golden eye
To glimpse a tree so tall and proud
It sheds its leaves upon a cloud?

Here, I think, is the heart's grief:
The tree, no mightier than the leaf,
Makes firm its root and spreads it crown
And stands; but in the end comes down.
That airy top no boy could climb
Is trodden in a little time
By cattle on their way to drink.
The fluttering thoughts a leaf can think,
That hears the wind and waits its turn,
Have taught it all a tree can learn.
Time can make soft that iron wood.
The tallest trunk that ever stood,
In time, without a dream to keep,
Crawls in beside the root to sleep.

Up To Top

The Little Ghost

I knew her for a little ghost
That in my garden walked;
The wall is high--higher than most--
And the green gate was locked.

And yet I did not think of that
Till after she was gone--
I knew her by the broad white hat,
All ruffled, she had on.

By the dear ruffles round her feet,
By her small hands that hung
In their lace mitts, austere and sweet,
Her gown's white folds among.

I watched to see if she would stay,
What she would do--and oh!
She looked as if she liked the way
I let my garden grow!

She bent above my favourite mint
With conscious garden grace,
She smiled and smiled--there was no hint
Of sadness in her face.

She held her gown on either side
To let her slippers show,
And up the walk she went with pride,
The way great ladies go.

And where the wall is built in new
And is of ivy bare
She paused--then opened and passed through
A gate that once was there.

Up To Top

The Little Hill

Oh, here the air is sweet and still,
And soft's the grass to lie on;
And far away's the little hill
They took for Christ to die on.

And there's a hill across the brook,
And down the brook's another;
But, oh, the little hill they took,--
I think I am its mother!

The moon that saw Gethsemane,
I watch it rise and set:
It has so many things to see,
They help it to forget.

But little hills that sit at home
So many hundred years,
Remember Greece, remember Rome,
Remember Mary's tears.

And far away in Palestine,
Sadder than any other,
Grieves still the hill that I call mine,--
I think I am its mother!

Up To Top

The Penitent

I had a little Sorrow,
Born of a little Sin,
I found a room all damp with gloom
And shut us all within;
And, "Little Sorrow, weep," said I,
"And, Little Sin, pray God to die,
And I upon the floor will lie
And think how bad I've been!"

Alas for pious planning - -
It mattered not a whit!
As far as gloom went in that room,
The lamp might have been lit!
My little Sorrow would not weep,
My little Sin would go to sleep --
To save my soul I could not keep
My graceless mind on it!

So I got up in anger,
And took a book I had,
And put a ribbon on my my hair
To please a passing lad,
And, "One thing there's no getting by --
I've been a wicked girl," said I:
"But if I can't be sorry, why,
I might as well be glad!"

Up To Top

The Philosopher

And what are you that, wanting you,
I should be kept awake
As many nights as there are days
With weeping for your sake?

And what are you that, missing you,
As many days as crawl
I should be listening to the wind
And looking at the wall?

I know a man that's a braver man
And twenty men as kind,
And what are you, that you should be
The one man in my mind?

Yet women's ways are witless ways,
As any sage will tell, --
And what am I, that I should love
So wisely and so well?

Up To Top

The Shroud

Death, I say, my heart is bowed
Unto thine,--O mother!
This red gown will make a shroud
Good as any other!

(I, that would not wait to wear
My own bridal things,
In a dress dark as my hair
Made my answerings.

I, to-night, that till he came
Could not, could not wait,
In a gown as bright as flame
Held for them the gate. )

Death, I say, my heart is bowed
Unto thine,--O mother!
This red gown will make a shroud
Good as any other!

Up To Top

The Singing-Woman from the Wood's Edge

What should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web,

But there comes to birth no common spawn
From the love a a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.

And there'd sit my Ma, with her knees beneath her chin,
A-looking in his face and a-drinking of it in,
And a-marking in the moss some funny little saying
That would mean just the opposite of all that he was praying!

He taught me the holy-talk of Vesper and of Matin,
He heard me my Greek and he heard me my Latin,
He blessed me and crossed me to keep my soul from evil,
And we watched him out of sight, and we conjured up the devil!

Oh, the things I haven't seen and the things I haven't known,
What with hedges and ditches till after I was grown,
And yanked both way by my mother and my father,
With a "Which would you better?" and a " Which would you
rather?"

With him for a sire and her for a dam,
What should I be but just what I am?

Up To Top

The Snow Storm

No hawk hangs over in this air:
The urgent snow is everywhere.
The wing adroiter than a sail
Must lean away from such a gale,
Abandoning its straight intent,
Or else expose tough ligament
And tender flesh to what before
Meant dampened feathers, nothing more.
Forceless upon our backs there fall
Infrequent flakes hexagonal,
Devised in many a curious style
To charm our safety for a while,
Where close to earth like mice we go
Under the horizontal snow.

Up To Top

The Suicide

"Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,--
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go. Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know."

Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:

"Ah, but I go not as I came,--no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,--oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.--It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,--I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed."

Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:

"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,--and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"
Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall. Heavy it was, and low
And dark,--a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,--bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,--
A strange door, ugly like a dwarf.--So near
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.

But, suddenly, marking the morning hour,
Bayed the deep-throated bell within the tower!
Startled, I raised my head,--and with a shout
Laid hold upon the latch,--and was without.

* * * *

Ah, long-forgotten, well-remembered road,
Leading me back unto my old abode,
My father's house! There in the night I came,
And found them feasting, and all things the same
As they had been before. A splendour hung
Upon the walls, and such sweet songs were sung
As, echoing out of very long ago,
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened. To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.
Ah, days of joy that followed! All alone
I wandered through the house. My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.

I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,--but no one heard.
Then, sick with longing, I arose at last
And went unto my father,--in that vast
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,--I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,--'tis all I ask
Forever, but forever, this denied,
I perish."
"Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received. I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine. Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks--" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.

Up To Top

The True Encounter

"Wolf!" cried my cunning heart
At every sheep it spied,
And roused the countryside.

"Wolf! Wolf!" -- and up would start
Good neighbours, bringing spade
And pitchfork to my aid.

At length my cry was known:
Therein lay my release.
I met the wolf alone
And was devoured in peace.

Up To Top

The Unexplorer

There was a road ran past our house
Too lovely to explore.
I asked my mother once -- she said
That if you followed where it led
It brought you to the milk-man's door.
(That's why I have not travelled more.)

Up To Top

The Wood Road

If I were to walk this way
Hand in hand with Grief,
I should mark that maple-spray
Coming into leaf.
I should note how the old burrs
Rot upon the ground.
Yes, though Grief should know me hers
While the world goes round,
It could not if truth be said
This was lost on me:
A rock-maple showing red,
Burrs beneath a tree.

Up To Top

Theme and Variation I

Not even my pride shall suffer much;
Not even my pride at all, maybe,
If this ill-timed, intemperate clutch
Be loosed by you and not by me,
Will suffer; I have been so true
A vestal to that only pride
Wet wood cannot extinguish, nor
Sand, nor its embers scattered, for,
See all these years, it has not died.

And if indeed, as I dare think,
You cannot push this patient flame,
By any breath your lungs could store,
Even for a moment to the floor
To crawl there, even for a moment crawl,
What can you mix for me to drink
That shall deflect me? What you do
Is either malice, crude defense
Of ego, or indifference:
I know these things as well as you;
You do not dazzle me at all.

Some love, and some simplicity,
Might well have been the death of me.

Up To Top

Three Songs of Shattering

I

The first rose on my rose-tree
Budded, bloomed, and shattered,
During sad days when to me
Nothing mattered.

Grief of grief has drained me clean;
Still it seems a pity
No one saw, -- it must have been
Very pretty.

II

Let the little birds sing;
Let the little lambs play;
Spring is here; and so 'tis spring; --
But not in the old way!

I recall a place
Where a plum-tree grew;
There you lifted up your face,
And blossoms covered you.

If the little birds sing,
And the little lambs play,
Spring is here; and so 'tis spring --
But not in the old way!

III

All the dog-wood blossoms are underneath the tree!
Ere spring was going -- ah, spring is gone!
And there comes no summer to the like of you and me, --
Blossom time is early, but no fruit sets on.

All the dog-wood blossoms are underneath the tree,
Browned at the edges, turned in a day;
And I would with all my heart they trimmed a mound for me,
And weeds were tall on all the paths that led that way!

Up To Top

To A Poet That Died Young

Minstrel, what have you to do
With this man that, after you,
Sharing not your happy fate,
Sat as England's Laureate?
Vainly, in these iron days,
Strives the poet in your praise,
Minstrel, by whose singing side
Beauty walked, until you died.

Still, though none should hark again,
Drones the blue-fly in the pane,
Thickly crusts the blackest moss,
Blows the rose its musk across,
Floats the boat that is forgot
None the less to Camelot.

Many a bard's untimely death
Lends unto his verses breath;
Here's a song was never sung:
Growing old is dying young.
Minstrel, what is this to you:
That a man you never knew,
When your grave was far and green,
Sat and gossipped with a queen?

Thalia knows how rare a thing
Is it, to grow old and sing;
When a brown and tepid tide
Closes in on every side.
Who shall say if Shelley's gold
Had withstood it to grow old?

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To Elinor Wylie

Sonnet in Answer to a Question

Oh, she was beautiful in every part!
The auburn hair that bound the subtle brain;
The lovely mouth cut clear by wit and pain,
Uttering oaths and nonsense, uttering art
In casual speech and curving at the smart
On startled ears of excellence too plain
For early morning! --- Obit. Death from strain;
The soaring mind outstripped the tethered heart.
Yet here was one who had no need to die
To be remembered. Every word she said,
The lively malice of the hazel eye
Scanning the thumb-nail close --- oh, dazzling dead,
How like a comet through the darkening sky
You raced! . . . would your return were heralded.

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To Elinor Wylie

(Died 1928)

For you there is no song . . .
Only the shaking
Of the voice that meant to sing; the sound of the
strong
Voice breaking.

Strange in my hand appears
The pen, and yours broken.
There are ink and tears on the page; only the tears
Have spoken.

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To the Not Impossible Him

How shall I know, unless I go
To Cairo and Cathay,
Whether or not this blessed spot
Is blest in every way?

Now it may be, the flower for me
Is this beneath my nose:
How shall I tell, unless I smell
The Carthaginian rose?

The fabric of my faithful love
No power shall dim or ravel
Whilst I stay here, -- but oh, my dear,
If I should ever travel!

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Travel

The railroad track is miles away,
and the day is loud with voices speaking,
Yet there isn't a train goes by day
But I hear its whistle shrieking.

All night there isn't a train goes by,
Though the night is still for sleep and dreaming
But I see its cinders red on the sky,
And hear its engine steaming.

My heart is warm with the friends I make,
And better friends I'll not be knowing,
Yet there isn't a train I wouldn't take,
No matter where it's going.

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Underground System

Set the foot down with distrust upon the crust of the
world ---it is thin.
Moles are at work beneath us; they have tunneled the
sub-soil
With separate chambers; which at an appointed
knock
Could be as one, could intersect and interlock. We
walk on the skin
Of life. No toil
Of rake or hoe, no lime, no phosphate, no rotation of
crops, no irrigation of the land,
Will coax the limp and flattened grain to stand
On that bad day, or feed to strength the nibbled root's
of our nation.

Ease has demoralized us, nearly so, we know
Nothing of the rigours of winter: The house has a roof
gainst -- the car a top against -- the snow.
All will be well, we say, it is a bit, like the rising
of the sun,
For our country to prosper; who can prevail against
us? No one.

The house has a roof; but the boards of its floor are
rotting, and hall upon hall
The moles have built their palace beneath us, we
have not far to fall.

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Untitled

I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fainr, and feel a certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me onvce again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity,-let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.

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Untitled

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass ald listen for reply,
And in my heart there stirs a quiet pain
For unremmermbered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone;
I only know that summer sang in me
A little while, that in me sings no more.

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Weeds

White with daisies and red with sorrel
And empty, empty under the sky !
Life is a quest and love a quarrel
Here is a place for me to lie.

Daisies spring from damnèd seeds,
And this red fire that here I see
Is a worthless crop of crimson weeds,
Cursed by farmers thriftily.

But here, unhated for an hour,
The sorrel runs in ragged flame,
The daisy stands, a bastard flower,
Like flowers that bear an honest name.

And here a while, where no wind brings
The baying of a pack athirst,
May sleep the sleep of blessèd things
The blood too bright, the brow accurst.

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When the Year Grows Old

I cannot but remember
When the year grows old--
October--November--
How she disliked the cold!

She used to watch the swallows
Go down across the sky,
And turn from the window
With a little sharp sigh.

And often when the brown leaves
Were brittle on the ground,
And the wind in the chimney
Made a melancholy sound,

She had a look about her
That I wish I could forget--
The look of a scared thing
Sitting in a net!

Oh, beautiful at nightfall
The soft spitting snow!
And beautiful the bare boughs
Rubbing to and fro!

But the roaring of the fire,
And the warmth of fur,
And the boiling of the kettle
Were beautiful to her!

I cannot but remember
When the year grows old --
October -- November --
How she disliked the cold!

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Wild Swans

I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more;
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!

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Witch-Wife

She is neither pink nor pale,
And she never will be all mine;
She learned her hands in a fairy-tale,
And her mouth on a valentine.

She has more hair than she needs;
In the sun `tis a woe to me!
And her voice is a string of coloured beads,
Or steps leading into the sea.

She loves me all that she can,
And her ways to my ways resign;
But she was not made for any man,
And she never will be all mine.

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Wraith

"Thin Rain, whom are you haunting,
That you haunt my door?"
--Surely it is not I she's wanting;
Someone living here before--
"Nobody's in the house but me:
You may come in if you like and see."

Thin as thread, with exquisite fingers,--
Have you seen her, any of you?--
Grey shawl, and leaning on the wind,
And the garden showing through?

Glimmering eyes,--and silent, mostly,
Sort of a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.--

Ever see her, any of you?--
Strangest thing I've ever known,--
Every night since I moved in,
And I came to be alone.

"Thin Rain, hush with your knocking!
You may not come in!
This is I that you hear rocking;
Nobody's with me, nor has been!"

Curious, how she tried the window,--
Odd, the way she tries the door,--
Wonder just what sort of people
Could have had this house before . . .

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