Against Coupling | Happy Ending

Against Coupling

I write in praise of the solitary act:
of not feeling a trespassing tongue
forced into one's mouth, one's breath
smothered, nipples crushed against the
rib-cage, and that metallic tingling
in the chin set off by a certain odd nerve:

unpleasure. Just to avoid those eyes would help-
such eyes as a young girl draws life from,
listening to the vegetal
rustle within her, as his gaze
stirs polypal fronds in the obscure
sea-bed of her body, and her own eyes blur

. There is much to be said for abandoning
this no longer novel excercise-
for now 'participating in
a total experience'-when
one feels like the lady in Leeds who
had seen The Sound Of Music eighty-six times;

or more, perhaps, like the school drama mistress
producing A Midsummer Night's Dream
for the seventh year running, with
yet another cast from 5B.
Pyramus and Thisbe are dead, but
the hole in the wall can still be troublesome.

I advise you, then, to embrace it without
encumberance. No need to set the scene,
dress up (or undress), make speeches.
Five minutes of solitude are
enough-in the bath, or to fill
that gap between the Sunday papers and lunch.

Happy Ending

After they had not made love
she pulled the sheet up over her eyes
until he was unbottoning his shirt:
not shyness for their bodies-those
they had willingly displayed-but a frail
endeavour to apologise.

Later, though, drawn together by
a distaste for such 'untidy ends'
they agreed to meet again; whereupon
they giggled, reminisced, held hands
as though what they had made was love-
and not that happier outcome, friends.

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