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• Chinese Film--5th Generation Chinese Film: Chen Kaige, Jiang Jimou, John Woo
  (Graduate Teaching Assistantship, Spring 1997)
  

• Freud's Interpretation of Dreams and the Process of Scriptwriting
  (Film Criticism and Theory Lecture, Spring 1996)
  

• Blood of Our Ancestors: Repression and the State of the Arts in Soviet Cinema
  (International Film II Lecture, Winter 1996)
  

• Film History: Birth of Cinema to the French New Wave
  (Graduate Teaching Assistantship, Fall 1995)
  

• Northern Exposure: Documenting Ethics
  (Media Ethics Paper, delivered 1993)
  

• La Sentinelle: Foucault, Spy Films, and Post World War Two
  (1992 New York Film Festival, Student Critic Review)
  

• An Articulation of Space in Satori: Derrida and Language Theory
  (Comparative Literature Seminar Paper, delivered 1992)
  

• Le Pense Sauvage: Claude Levi - Strauss and an introduction to wild thinking
  (Comparative Literature Seminar Paper, delivered 1992)
  

• Kafka: A Case History in the Construction of Negative Identity
  (Freud and Literature Syllabus, Rutgers University 1991)
  

• Social and Political Struggle: Buddhism and Indigenous Beliefs in Contemporary Korean Cinema
  (Successfully defended MA thesis, published by UMI June 1997)
  

  Three Korean Directors: Shin San Ok, Yu Hyun Mok, Im Kwon Taek
  (Journal of the MOMA November 1996 Series, published by Electric Shadows Journal)
  

  Documentary Ethics and the Passive Spectator: Bill Nichols' Axiographics
  (Manuscript from MA Comprehensive Exams, successfully defended 1996)
  

  Landscape and Place - Reflections on the Flaherty Seminar: Searching for Real Estate
  (Journal review of the Flaherty Seminar, Summer 1996)
  

  Applied Film Theory: A class plan for developing critical viewers
  (Graduate Film Course Syllabus for Advanced Film Theory, Summer 1996)
  

  History III: Experimental Film
  (Film Archive Journal on Experimental film in the US, Spring 1996)
  

  The 1996 International Athens Film and Video Festival
  (Film Journal/Workshop, Program and Press Releases, Spring 1996)
  

  On Penance and Progress: Chinese Film Theory and Tian Zhuanzhuang's Horse Thief
  (Graduate International Film Studies Final Paper, Fall 1995)
  

  Films from Japan: A Cultural Inquiry
  (Graduate Film Course Syllabus, International Film Studies, Fall 1995)
  

  Broken Blossoms, The Cheat, The Good Earth, Asian Representations in Early Cinema:
  Criticism of the Immigrant Experience/American Inversions
  (Graduate Film History Research Paper, Fall 1995)
  

  Vision/TEXT/Listening: from Pre-FACE to Post Self
  (Comparative Literature Thesis, Honors Award, Summer 1993)