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Built
in 1959-60 when The Rev. Ted Hastings was pastor, and designed by
architect Warren Weber, the church building was originally thought
to resemble a dove. But most people in the area think of it as
"The Ark on the Hill." Nationally acclaimed for its
unique architecture, the interior features a 120-foot-long
cathedral glass skylight running along the ridge of the roof. The
original Building Committee based the architectural design on
three primary principles:
Congregationalists
believe that a church at worship is a gathered community
seeking guidance of the Holy Spirit in the presence of other
people. A seating arrangement which gives maximum feeling of the
presence of other worshipers
is essential.
The
space in which worship takes place should contribute to the
feeling of the presence of God. Some form of cathedral
space is desirable.
A
choir should be part of the worshiping congregation, as well as
leaders of worship. Placing it
in a transept makes this dual role possible.
The
architecht's response to the requests of the Building Committee
that those factors be incorporated in our place of worship was as
follows:
Seating
for the gathered community is usually accomplished in a square
building.
The "cathedral feeling"
is ordinarily made possible by building in a long, high, narrow
rectangular shape.
The
use of a transept complicates both.
The architect's solution, therefore,
was the oval shape, with an intersecting half-oval transept which
incorporated all three of our basic worship needs.
When the Education/Administration
wing was adapted to the sweep of the trees and the contour of the
land and the roof was upswept to give the cathedral feeling, it
appeared to the Building Committee that the church resembled
somewhat the shape of a dove. Congregationalists hold as a first
theological principle "dependence upon the guidance of the
Holy Spirit." A traditional symbol for the Holy Spirit is the
dove. It was hoped that the exterior of the church seen from below
would speak to people of the descending of the love of God into
the lives of people.
To
many, however, the building resembles a ship, and if that is what
is says to them, it is most appropriate.
To still many others, the upsweeping
line of the church, holding the cross high, points outward into
the universe to the source of all being. In a day in which people
think of God as being not so much "straight up" as "out
there" in an ever-expanding universe, this more abstract
symbolism seemed appropriate.
The
cancel is designed to provide both an emotional and intellectual
awareness of the presence of God. To this end, the architect has
created a three-dimensional symbol of the Trinity. The huge, open,
lighted space at the front of the church represents the
transcendent nature of God - that aspect of God's nature which is
outside the world God has created, "unconditioned by any act
of humankind or event in time or space." The reredox screen
of wires and blocks of wood in abstract pattern stands for the
immanent nature of God. The sparseness of the blocks at the top,
their density at the bottom, their apparent origin in infinity,
and the dark color values of the wood create a sensation of gently
falling. The screen is therefore a representation of the Holy
Spirit. The three-dimensionally suspended cross represents the
co-mingling of the transcendent and the immanent natures of God in
the person of Jesus Christ, "very man and very God." The
whole worship area taken together, therefore, reminds us
emotionally and intellectually that we know God in three ways as
Creator, Son and Holy Spirit.
But the greatest symbolism of all is
in the whole building taken together in what it says to the
community about us. It is our hope that it will say these things
to all who behold it:
That this congregation of
Christians seeking to be in the presence of God in a gathered
community has a mission "to the whole person, to the whole
community, and to the whole world."
That in this effort they seek
to conserve traditional values of Christian experience in forms
appropriate to the times in which they live and work; and
That
they are, in the words of Martin Buber: "An Incomprehensibly
Daring Fellowship of People," seeking to accomplish their
mission with imagination, courage and forthrightness.
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